從音響科學的調整到古典音樂美感的經歷(長篇連載)

[kjchen]

多謝提供資料，原來指揮家是小號演奏家？....:)

你那篇『小小心得』寫得很好！我寫現場音樂會時，最氣無法『詳細說明』，因為當時的印象日後早就忘了是根據什麼細節了！所以需要同樣有注意到細的網友同好來幫忙回憶一下.....

不過我不覺得『大提琴協奏曲算是今天的重頭戲』，可能因為我對大提琴的演奏要求較高；他獨奏的安可曲技巧驚人！但是協奏時，小聲獨奏與樂團合奏時，要怎麼拿捏音量的大小以免小聲獨奏被樂團吃掉，這裡我覺得控制不是那麼令人滿意。所以我還是比較滿意樂團表現，以及下半場的兩大重量曲目....

話說回來，就算有我說的缺點，也遠比市場上大家流行的那幾個大提琴家（尤其是被神話過度杜普蕾）強之太多太多了....

大提琴協奏曲對我來說是重頭戲啦, 害我小失望了一下, 看來坐好位子聽起來也不會比較好
指揮家的介紹, 節目單裡有, 網上也查的到 http://www.opus3artists.com/artists/fabien-gabel
"Born in Paris to a family of accomplished musicians, Mr. Gabel began studying trumpet at the age of six, honing his skills at the Conservatoire National Supérieur de Musique de Paris, which awarded him a First Prize in trumpet in 1996, and later at the Musik Hochschule of Karlsruhe. He went on to play in various Parisian orchestras under the direction of prominent conductors such as Pierre Boulez, Sir Colin Davis, Riccardo Muti, Seiji Ozawa, Simon Rattle and Bernard Haitink. In 2002 Fabien Gabel pursued his interest in conducting at the Aspen Summer Music Festival, where he studied with David Zinman, who invited him appear as a guest conductor at the Festival in 2009. Other mentors include Bernard Haitink, Sir Colin Davis, and Paavo Jarvi."

巴黎國立高等音樂學院小號第一獎, 2002年才轉指揮, 師事David Zinman
原來psycho老大先前並不知道指揮是學小號的, 但卻聽出這場的小號很不一樣, 果然是神耳