音響評論員的描述標準？

[chsiang]

這種速度不是快或是慢就好

要像這種樂器該有的速度

如鋼琴有鋼琴的attack，小提琴有小提琴的attack

是阿是阿 所以我說

"應該是一套系統能不能充分表達樂器演奏起音所需要的速度感......會不會太快 or 太慢 導致某種音染.... "

[Leo Yeh]

音染不建議放在這裡描述，放在最後的正確性

我想attack是樂器本身特性的感受，屬於真實與活生沒錯...

[Leo Yeh]

請大家提供各個項目的測試片與曲目吧

我也會慢慢提供

[chsiang]

請大家提供各個項目的測試片與曲目吧

我也會慢慢提供

成立my-hiend版的唱片聖經

[Yeh捨]

班門弄斧一下
presence似乎有看過翻成 "活生感"
attack是否可翻成"衝擊力"

字首 pre..前..在前..先於..預先..
presence 要翻成..出席/在場..不適..那只好拉近到~風采/風度:P
attack 大部份都是攻擊性解釋..
但音樂方面解釋..有起奏/起奏法/努力著手..意思.
所以譯成..音樂風格/演奏~起奏努力?(sweat)..."樂風強度"好了..:P

[Bacian]

attack 1) The buildup of sound when an instrument is bowed, blown, struck, or plucked. 2) The ability of a system to reproduce the attack transients in musical sound. Poor attack makes a system sound slow.
attack transient The initial energy pulse of a percussive sound, such as from a piano string, triangle, or drum head.

from:
Stereophile: Sounds Like? An Audio Glossary
by J. Gordon Holt, July, 1993

attack 是強調"initial 起"的意思,譯作: 起音???

[Bacian]

more proper link:

http://stereophile.com/reference/50/

[Bacian]

Acoustical absorption
Good: adequate, appropriate, "good acoustics," unobtrusive
Not Good:
Excess: dead, dry
Deficiency: billowy, echoic, fluttery, live, plastery, reverberant, slap Audibility (of flaws)
From best to worst: Inaudible, subtle, slight, moderate, significant, conspicuous, severe, extreme, intolerable, or Aaagghh! (screaming-up-the-walls)
Detail
Good: accurate, crisp, delicate, focus, resolution, snap
Not Good:
Excess: accurate (misused), analytical, clinical, etched
Deficiency: closed-in, congestion, diffuse, hangover, haze, opaque, smearing, veiling, velvet fog
Distance
Good: Program-dependent
Not Good:
Close: aggressive, forward, row-A, up-front
Distant: laid-back, recessed, row-M
Frequency response
The following terms describe how a system's or component's frequency response sounds, not necessarily how it measures. Phase shift and distortion can sound like frequency-response aberrations.
ENTIRE RANGE
Good: airy, accurate, alive, balanced, extension, flat, neutral, smooth, uncolored, weighty
Not Good: dark, chocolatey, discontinuous, light, lumpy, syrupy, tilted, treacly
BASS
Amount
Good: balanced, full, natural
Not Good:
Excess: boomy, dark, fat, heavy, rich, syrupy, thick, tubby, warm
Deficiency: cold, constricted, cool, lean, overdamped, pinched, sparse, thin
Smoothness:
Good: natural, smooth, tight
Not Good: boomy, lean, lumpy, one-note bass, thin, tubby, uneven, woolly
Extension (frequency range):
Good: deep, extended, foundation, infra-bass, seismic
Not Good: pinched, restricted, shallow, sparse, thin
MIDRANGE
Good: alive, jump factor, natural, neutral, realism, uncolored
Not Good:
Excess: aggressive, brassy, close-up, forward, humped, projected, row-A
Deficiency: dished, distant, laid-back, polite, recessed, reticent, withdrawn
Colorations: boxy, chesty, honky, hooty, horn sound, nasal, raucous, vowel ("a," "ah," "aw," "ee," "eh," "ih," "oh," "oo," "unh")

LOW & MID TREBLE
Good: natural, neutral, smooth
Not Good:
Excess: bright, brittle, etched, glare, glassy, hard, metallic, screechy, shrill, steely, strident
Deficiency: dead, dull, muffled, muted
EXTREME TREBLE
Good: airy, extended, delicate, open
Not Good:
Excess: hot, sizzly, spitty, tipped-up, tizzy, toppish, wiry, zippy
Deficiency: closed-in, soft, sweet
Imaging
Good: bunching, correct width, phantom image, specificity, stability, tight
Not Good: bunching, hole-in-the-middle, phasey, vagueness, wander, wide central image
Noise
Good: No extraneous noise
Not Good:
Continuous:
Low-pitched:
Pure, lacking harmonics:
60Hz or 120Hz: hum
20 to 100Hz: acoustic feedback (turntable)
With spiky edges: buzz
Wideband:
Low-frequency: turntable rumble
Full-range:
"ff"-sound: pink noise, tape hiss, FM interstation hiss
"ss"-sound: white noise
High-frequency whistle: heterodyning, D/A idling noise
Random or Periodic:
200Hz to 1000Hz: acoustic feedback, howl, squawk
33 times/minute "ff"-sound: LP pressing imperfection, swish, whoosh
Impulse noises: crackles, pops, surface noise, ticks
Realism
Good: aliveness, ease, delicacy, involvement, musicality, naturalness, palpable, realism, transparency
Not Good: boring, colored, dead, distorted, lifeless, uninvolving
Soundstaging
WIDTH:
Good: beyond-the-speakers, floating, palpable, spacious
Not Good: narrow, pinched, restricted
CONTINUITY:
Good: center fill, coherent, stereo spread
Not Good: bunched, hole-in-the-middle
DEPTH:
Good: layering, perspective
Not Good: distant, flat, forward, laid-back, polite, recessed, Row-A, Row-M
Texture
Good: liquid, textureless, transparent
Not Good: dry, chalky, grainy, gritty, harsh, hashy, rough
Timbre
Good: accurate, natural, uncolored
Not Good: chesty, colored, hooty, horn sound, metallic, steely, thin, vowel coloration, wiry
Transient response
Good: articulation, attack, controlled, delicate, detailed, fast, quick, tight
Not Good: closed-in, dull, ringing, rounded, slow, sluggish, smeared

[Leo Yeh]

成立my-hiend版的唱片聖經

這個沒問題，大家一起寫

attack 1) The buildup of sound when an instrument is bowed, blown, struck, or plucked. 2) The ability of a system to reproduce the attack transients in musical sound. Poor attack makes a system sound slow.
attack transient The initial energy pulse of a percussive sound, such as from a piano string, triangle, or drum head.

from:
Stereophile: Sounds Like? An Audio Glossary
by J. Gordon Holt, July, 1993

attack 是強調"initial 起"的意思,譯作: 起音???

起音翻譯只有"開始"，中文無法表達，意思應該是一段的聲音變化..

more proper link:

http://stereophile.com/reference/50/

可參考，大致差不多，我覺得RAIFE F. SMITH II寫得比較清楚與實際

[Leo Yeh]

音響主觀評論表PDF檔供大家參考