引用 作者: psycho 查看文章
kevintran兄太客氣了,如有機會訪美,一定去找您一遊!..:)

我提到的新天新地唱片,在美國應該非常不好買,而且每張價格可能是台灣的兩倍;如果您會回台灣,或許可以在台灣一次買齊。或者,直接e-mail給新天新地唱片行,買一堆請他寄海外包裏,這樣比較方便。再退一步,可以先從 emi france 買起;他們最近的超低價作曲家全集,幾乎每一套都是高明的演奏水準與精緻的錄音藝術,唯一的缺點只是超低價唱片令人討厭的躁感。

我正在傷腦筋,如何推薦10張專門殺音響的頂級錄音藝術,再推薦10張專門感受最頂級的『演奏水準』唱片;前陣子列出名單,結果老板告知絕版一張、半年後才有貨3張,只好繼續挑...

不知 kevintran兄使用的音響系統詳細為何?聽不出孟許與波士頓樂團的錄音有嚴重問題,有時不是我們聽不出來,是我們的音響本身把聲音扭曲,造成有問題的錄音反而聽起來很好聽。不過再追究下去,小心被我勸敗音響....
Psycho 兄,

我在讀您的review 後 終於知道為何我 一 直不欣賞聖桑的第三號 symphony. Munch's version was the only version I have. It sounded slow and muddy but I thought that's how it should sound like. After I read your review, I bought the CD you recommended and another version by Martinon. Then, I started to appreciate what you said about bad recordings.
I am more interested in Bach and Mahler right now. I have bought the scores for most of Mahler's symphonies (including 大地之歌). Listening to the recordings while reading the scores gives you even more insights to what the composers intended to express. It also allows me to further understand what you said about 錄音的意術.