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  1. #1
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    預設 Vienna Acoustics- BEETHOVEN CONCERT GRAND



    http://www.vienna-acoustics.com/prod...en_concert.php






    BEETHOVEN CONCERT GRAND


    Scale, power and grandeur are all conferred by its name. As with all models in the Grand™ range, the
    composer name is selected based on the scale, complexity and power of performance for which they
    are best known. The term Concert Grand, like the piano of the same designation, refers to its ability to
    deliver this level of performance in large concert halls and music rooms. The new 3-way Concert Grand
    delivers far more than just power and scale. The careful listener will delight in the lucidity and clarity of
    the all-important middle ranges where virtually all instruments find their tonic origins. Here it excels,
    with a natural ease, clarity and quietness where only a few much more expensive designs have tread.
    For a large-scale screening room or theater, the Concert Grand delivers even the most demanding
    scenes with an ease that allows for deeper immersion into the film experience. A truly extraordinary
    product that will re-calibrate your expectations.
    Handcrafted enclosures in beautiful wood finishes define the Vienna Acoustics aesthetic. The Grand
    Series features the following selections to complement any interior: Piano black, Maple, Cherry, and
    Rosewood.

    Three new 7” Spidercone bass drivers (or ULF, Ultra Low Frequency,
    drivers), feature a reworked motor assembly and revised placement of
    the XXP ribs, providing increased output, extension and control. The huge
    surface area that results from the use of three of these extraordinary
    drivers means effortless reproduction of extreme bass dynamics with
    articulation and force.
    All bass and midrange drivers benefit from a new inverted rubber surround
    design and formulation that constitutes a breakthrough in no loss damping
    of cone edge resonances.

    The new 6” midrange driver benefits from a reformulation of Vienna
    Acoustics’ proprietary XPP cone material. Combining TPX, the unique
    thermoplastic used in all XPP cones, with three polypropylene based
    synthetics, achieves maximum inner damping, ultra-low mass, and precise
    control over cone density and rigidity. Dubbed X3P (X3P because of the
    three additional polymers in its composition) this new cone material allows
    the driver to provide an extraordinarily wide bandwidth, while possessing
    a level of inner detail, quietness, and control that is truly remarkable.
    All bass and midrange drivers benefit from a new inverted rubber surround
    design and formulation that constitutes a breakthrough in no loss damping
    of cone edge resonances.
    The new tweeter was developed by Vienna Acoustics, in conjunction
    with Scan Speak, resulting in greater resolution of the subtlest of high
    frequency impulses while maintaining the midrange warmth and clarity
    for which Vienna Acoustics has been renowned.

    A completely new linear crossover layout, with the copper circuit paths
    arranged in the direction of electron flow, takes into account the potential
    for sympathetic and parasitic interactions among crossover components
    that may inject unwanted noise and distortions while allowing for more
    direct and efficient transfer of signal to the drivers which leads to a greater
    level of detail and purity.

    New proprietary cabling, consisting of large scale solid copper conductors,
    with each cable pairing precisely twisted a prescribed number of turns for
    the particular length of each cable so that any noise injection through the
    wiring harness is avoided.

    New gold-and-silver alloy terminal for lowest transfer resistance and
    durability are directly connected to the crossover circuit board to ensure
    complete current delivery and no loss of clarity in the signal transfer from
    binding post to crossover

    Innovative and unique grilles feature an aluminum frame that incorporates
    an integral V-shaped phase diffuser to control dispersion so that they can
    be left on for all but the most critical listening without an adverse influence
    on performance. In fact, it can be used as an additional tuning device for
    the audio enthusiast, benefiting soundstage presentation both in depth
    and stereo imaging. As an additional benefit, the V-shaped groove running
    the length of the middle of the grille results in a more elegant appearance
    for the speaker.

    Special decoupling and stability optimization through the use of a highpressure die cast aluminum spike assembly and solid steel spikes further
    improve performance.

    Cabinets boast massive baffles that are 1.6” thick, 30% thicker than
    previous models, for maximum rigidity and resonance control.
    Maple and Cherry finishes join a revised Rosewood, applied to the highest
    of standards using the state-of-the-art veneer-wrapping technology for
    the front and rear baffles first pioneered on the Classic series. A true Piano
    Black lacquer is now available, the quality of which will permit inclusion
    into any living room as it mirrors its surroundings.

    Impedance
    Frequency Response
    Sensitivity
    Recommended Amplifiers Drive Units
    7” Woofer (3)
    6” Midrange
    1.1” Dome-Tweeter
    Bass System
    Bass Function
    zCrossover Components
    Crossover Function
    Weight per Pair
    Dimension (W x H x D) inches
    Dimension (W x H x D) mm
    Optimized aluminium spike assembly included.
    4 Ohms
    28-22000 Hz
    91 dB
    50 - 300 Watts
    XPP „Spidercone“
    X3P Cone
    Hand-Coated VA Silk Dome
    Bass Reflex
    Impulse Optimizing QB 3 (Quasi-Butterworth)
    MKP Capacitors, 1% tolerance
    Coils 0,7% tol., Midrange/Tweeter Section
    Air Coils, Special Powder Core for Bass
    Section
    Metal Film Resistors 1% tol., Inductance Free
    3-way, 6 dB and 12 dB Bessel
    144 Ibs
    7,5 x 42,7 x 15,7“ (without spike assembly)
    9,5 X 44,5 X 17.75 (with spike assembly)
    190 x 1085 x 400 mm (without spike assembly)

  2. The Following 2 Users Say Thank You to 小余 For This Useful Post:


  3. #2
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  4. The Following User Says Thank You to 小余 For This Useful Post:


  5. #3
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  6. #4
    註冊日期
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    預設

    把喇叭立起來囉!

    搭配的器材:
    DAC: La Rostia Alpha+
    前級: Densen B-200+
    後級: Densen B-310+













  7. #5
    註冊日期
    2009-02-22
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    預設

    很好奇小余會用哪款AMP來推?densen嗎?

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  9. #6
    註冊日期
    2010-12-08
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    Thanked 795 Times in 398 Posts

  10. #7
    註冊日期
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    預設

    引用 作者: jj-bond 查看文章
    很好奇小余會用哪款AMP來推?densen嗎?
    Vienna Acoustics 搭配Densen很適合~
    我會建議可以如果是Densen綜合擴大機的話,都要加上DNRG,音場會更寬廣~

    維也納喇叭比較不建議用粗獷型的擴大機來推,
    這點倒是在搭配上要注意~


  11. #8
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    預設

    引用 作者: 小余 查看文章
    Rosewood 也相當漂亮








    這張拍得很有當年stereophile review這對喇叭的FU

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  13. #9
    註冊日期
    2007-08-02
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    預設

    引用 作者: 小余 查看文章
    配件與腳架相當精緻~~~


    鎖的磅數不知會不會影響聲音....很想把我的史特勞斯倒栽蔥一下,可是很難單靠自己一個人完成...

    不知有沒有人換過soundcare的角錐

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