丹麥 Gryphon Club 俱樂部

[bmw330ci]

最後還是忍痛買了 Magnus prime 喇叭線。

MAGNUS 喇叭線已經很厲害啦,再往上跳一級可是要加倍的價格ㄋ
可惜訊號線已訂啦,要不Mangus Prime絕對值得您入手丫......

[powerman]

那再請教powerman兄使用什麼訊源？cdp不知用哪家的？

沒圖沒真相, 星期六post圖.


之之前, 小弟花了五六年把一套M牌旗艦(單葫蘆)玩到滾瓜爛熟, 才了解track 11 and 18. 可以帶到朋友家聽, 通常聲音好, track 11 and 18也不錯.


器材也不一定要貴, 小弟聽過兩萬四的cdp, track 18的平順跟M牌兩件式旗艦沒差, 主要的原因是玩家耳朵好, 知道往那裡調(喇叭) . track 11的音質當然差多.

這個"平順"搞定了, 什麼系統都可以聽過世.

[powerman]

Robert兄,

先嘗試定位李的擺法,

然後...

前級要有雙outputs, 或Y-cable
不須toe-in, 零度.
只接left or right channel, 錄音變成mono. 理論上, 聲音應該從兩喇叭之間中央一點發聲, 而且這點必須越小越好.
如果這點一大塊不中央, 嘗試上下左右前後移, 把它變小及中央, 還原之後(revert back to stereo out), 音場定位必改善.


但是, 在移動喇叭的過程中, 必須保持聲音的寬鬆自然及有深度.

[Robert]

Robert兄,

先嘗試定位李的擺法,

然後...

前級要有雙outputs, 或Y-cable
不須toe-in, 零度.
只接left or right channel, 錄音變成mono. 理論上, 聲音應該從兩喇叭之間中央一點發聲, 而且這點必須越小越好.
如果這點一大塊不中央, 嘗試上下左右前後移, 把它變小及中央, 還原之後(revert back to stereo out), 音場定位必改善.


但是, 在移動喇叭的過程中, 必須保持聲音的寬鬆自然及有深度.

Powerman兄，收到，不知道我的理解是否正確：請問我若用前級的balance功能，一次mute一支喇叭可以達到同樣的效果嗎？您說的測試法是不是好像後級每次拔掉一個聲道聽聽看嗎？

[powerman]

Powerman兄，收到，不知道我的理解是否正確：請問我若用前級的balance功能，一次mute一支喇叭可以達到同樣的效果嗎？您說的測試法是不是好像後級每次拔掉一個聲道聽聽看嗎？

不對! 不對!


Robert兄的前級是 audio research r3, 那麼就同時用兩個上排(Mono, two right channels)或兩個下排(Mono, two left channels).


要還原時, 用上下兩排各一(Stereo).

用Track 11, 18 , 20 and 26 交叉測試.

嘗試把全頻段集中在兩喇叭之間中央一點;
聲音應該對准聆聽位置,特別是人聲. 如果斜一邊, 喇叭沒有對齊, 拉直它(移動喇叭);
還要能夠區分各樂器及人聲的深度.

[Robert]

不對! 不對!


Robert兄的前級是 audio research r3, 那麼就同時用兩個上排(Mono, two right channels)或兩個下排(Mono, two left channels).


要還原時, 用上下兩排各一(Stereo).

用Track 11, 18 , 20 and 26 交叉測試.

嘗試把全頻段集中在兩喇叭之間中央一點;
聲音應該對准聆聽位置,特別是人聲. 如果斜一邊, 喇叭沒有對齊, 拉直它(移動喇叭);
還要能夠區分各樂器及人聲的深度.

瞭解了Powerman兄！感謝您的解釋！

[Ted Chen]

Gryphon Mephisto - inside



Mephisto without the cover.

[Ted Chen]

Gryphon Pandora - inside




Product features

True Dual Mono configuration
Fully discrete pure Class A with ultra-short signal path
2 x 90,000 microFarad capacity banks
Ultra-wideband 3 MHz frequency response
Zero negative feedback
DC-coupling with servo-control
Isolated power supply for non-audio circuits
Extensive mechanical decoupling
Extensive local voltage regulation
Big-wheel, ball-bearing, microprocessor-controlled 85-step relay volume attenuator featuring Charcroft Z-Foil Audio ultra precision resistors and ultra low capacitance relays for best sonic performance
New, high-speed, discrete single-ended Class A input buffer developed for best possible sonic performance
Select premium-grade components, including Takman Audio resistors
Minimal internal wiring
Military spec. double-sided up to 70µm copper printed circuit boards
Two separate custom-made C-core transformers, one for each channel
Gold-plated input-isolating relays
PCB-mounted sockets eliminate wiring and shorten signal path
Gold-plated Swiss Neutric XLR sockets for three balanced sources and two outputs
Gold-plated phono sockets with Teflon insulation for two inputs and one Tape output
Optional integrated, Gryphon Phono Stage or Legato Heritage RIAA module
Fixed-level AV throughput for uncompromising integration with surround systems
Microprocessor-controlled menu functions
Adjustable channel balance, source level matching, start-up and maximum level
Green Bias control for Gryphon power amplifiers
Graphical Vacuum Fluorescent Display
Backlit touch-sensitive front panel controls
Adjustable display illumination (High, Medium, Low, Off)
Non-magnetic, non-resonant aluminium cabinets
12 V DC link input and output
Flash memory upgrades via PC or key-fob
Infrared remote control
Standby power consumption <1W
EU CE approval
Designed and built in Denmark

官方連結 http://www.gryphon-audio.dk/products...s/pandora.aspx

[Ted Chen]

Gryphon Kalliope Digital to Analogue Converter







Product features

Dedicated ESS SABRE ES9018 32-bit D/A converter for each channel
Each ES9018 incorporates eight individual D/A converters in Dual Differential coupling for optimal performance
USB input compatible with following audio formats via PC/MAC. PCM: 44.1, 48, 88.2, 96, 176.4, 192, 352.8 and 384 kHz, up to 32 bits. DSD via USB (DoP): 2.822, 3.072, 5.644 and 6.144 MHz
BNC and XLR inputs compatible with PCM: 22.05, 24, 32, 44.1, 48, 64, 88.2, 96, 176.4 and 192 kHz, up to 24 bits
User-selectable PCM and DSD digital roll-off filters
User-selectable asynchronous PCM sample rate conversion
Temperature-compensated, ultra-low jitter crystal oscillators with better than 5 parts per million accuracy
Total galvanic isolation of PC/ MAC sources for optimal noise rejection
Balanced 110 Ohm XLR AES/EBU input
Three single-ended 75 Ohm BNC S/PDIF inputs.
Balanced 110 Ohm XLR AES/EBU output for de-jittered signal from selected input
Galvanic isolation of BNC and XLR inputs for minimal jitter
75 Ohm BNC connector for optional external word clock
Modular digital audio sections for possible future upgrades
True Class A, fully discrete analogue circuitry with zero negative feedback
First-order PCM analogue filters and second-order DSD analogue filters with silvered Mica capacitors
Analogue output stages with discrete, ultra-low noise +/- 25VDC regulated voltage supplies for best THD and noise suppression
Discrete, ultra-low noise power supply for analogue section of ES9018 DAC
Comprehensive noise regulation of all digital circuits
Custom-built 65 VA toroidal transformer for each analogue channel
34,000 microFarad power capacitor banks for each analogue channel
True Dual Mono configuration
Balanced XLR analogue outputs and single-ended phono outputs
Ultra-short signal path with minimal internal wiring
Four-layer 70 mm thick copper trace PCB’s
Personalised naming of each input
Vacuum Fluorescent Display with variable illumination
No drivers required for LINUX or MAC OSX
Driver available for Windows XP/Vista/7/8
Automatic standby mode with user-selectable interval
Standby power consumption less than 0.5W in accordance with EU regulations
12V link in/out
Infrared remote control
EU CE approval
Designed and built in Denmark

官方連結 http://www.gryphon-audio.dk/products.../kalliope.aspx

[Ted Chen]

Gryphon Audio Designs • Legato Legacy Phono Stage
A solid-state phono stage that pushes "analog's performance and technological boundaries."



As a reasonably well-read audiophile, I know Denmark for Hamlet, Niels Bohr and Gryphon Audio Designs, though not necessarily in that order. I've been acquainted with Gryphon Audio for more than a decade, the introduction coming at THE Show when it was held at the St. Tropez Hotel, next door to the Alexis Park and the CES. For many reasons, those were truly the good old days, not the least being that Gryphon assembled some very ambitious systems and hasn't exhibited in Las Vegas since. There is also no distribution of the company's products in North America, making it more difficult for those of us here to follow the brand -- and there has been a great deal worth following. While Gryphon Audio introduced new line-topping electronics a few years ago, this fact is somewhat misleading, because any Gryphon preamp or amp is a final destination point for audiophiles, both in terms of performance and price. The same is true for Gryphon's lineup of speakers, its sumptuous-looking CD players, and the subject of this review -- the fully balanced, dual-chassis, dual-mono Legato Legacy phono stage.................

詳情請見 http://www.theaudiobeat.com/equipmen...ato_legacy.htm