【終極家訪】訪 將軍

[Leo Yeh]

這樣不錯

[Leo Yeh]

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[將軍]

Audiotechnology in Denmark組裝，材料是碳纖維夾Rohacell foam。看評測特性應該就是響應平直解析力高吧。

取自 http://www.theabsolutesound.com/arti...-ever-heard-1/

"All the drivers except the tweeter use Rockport’s proprietary cone technology which feature proprietary, variable-section thickness cones formed from skins of carbon fiber that sandwich a Rohacell core...Postscript: Many of the technologies in the Arrakis are found in Rockport’s less expensive products. In fact, the $94.5k Altair can be thought of as half an Arrakis, with one set of drivers rather than the Arrakis’ mirror-imaged pairs of drivers per enclosure. Both use identical drivers, crossover parts, cabinet construction (although the Altair’s baffle is glass fiber composite rather then carbon fiber)."

取自 http://www.theabsolutesound.com/arti...ker-tas-214-1/

”The three cone drivers, custom built for Rockport, feature diaphragms of carbon-fiber skins on either side of a Rohacell core. Payor designs and builds the diaphragms, and then sends them to Audiotechnology in Denmark for assembly with custom motors.“

取自 http://www.ultraaudio.com/opinion/20100501.htm

Rockport一向偏愛Audiotechnology的單體!!

[Leo Yeh]

[Leo Yeh]

[將軍]

嚴格來說,這是個美麗的錯誤,只因為我和小高似乎有點在雞同鴨講.
IKEDA改組之後,池田老先生已經不是公司的負責人了,現在改由一位"梶原弘希"先生負責.
至於製作新唱頭的人是誰?
我不知.但肯定已經不是池田老先生了.
不過,對於新組合之後的公司應該還是值得信任,畢竟他們將我之前那顆9MUSA U修復完整.
可見功力還是OK的.

9TT之後沒多久,IKEDA又發表了9TP.
很正常,因為任何公司的產品都會有高低階,而既然喜歡IKEDA,多入手一顆又何妨.
所以,我請小高幫我進一顆新發表的高級版.
故事到這裡,我想,大部分的人應該都和我的想法一樣:
9TP就快入手了!!
過了幾週,小高"送貨"來了,放在紙盒裡,就和9TT一樣不起眼,我很忙,放著也就不理它了.
又到了上週,小高換了個空的新木盒來,說是IKEDA高級版的唱頭應該用的,之前使用紙盒包裝是錯誤的包裝方式.
喔!!既然如此,那就將這顆新唱頭拿出來,順便換個新木盒也氣派些.

但,問題來了.
這顆怎麼不是9TP呢??
而是寫個魁(KAI)呢??
我在官方網站裡尋找,也沒發現IKEDA發售了魁(KAI)唱頭呀!!
疑惑當中,我直接打了電話問小高:
@@XX%%$$##.
然而,小高的回答卻讓我昏倒:
IKEDA的9TP只在日本國內銷售,外銷機種除了9TT之外,就是"魁(KAI)".
但"魁(KAI)"的售價比較貴上許多.
所以若依照售價來將現有的IKEDA唱頭做價格帶區分,就是9TT,9TP,9MUSA U,魁(KAI).

ㄟ...真的嗎??
我上網查了國外的音響通路網站發現,這是真的,魁(KAI)竟然比9MUSA U還要貴上一些.
吼!!
真的是雞同鴨講.
貴這麼多(售價真的很貴),真不知好不好聽???

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原本,沒有這麼早想將這顆"魁(KAI)"唱頭裝起來聽.
一來很忙,二來,我在等新唱盤.
反正新唱盤來了一定重新來過,不如那時再來玩吧!!
只是,這顆"魁(KAI)"唱頭在友情價的情況下還這麼貴,那不如早點聽聽看!!
我想,不如就裝在FR66S上吧!!??
因為IKEDA 的IT407唱臂上還裝著超難伺候的9MUSA U,好不容易調整好,所以還是不要亂動比較保險.
況且,二支臂都是重臂,搭配自家的唱頭應該不至於會出錯.

附件 21433

將IKEDA的唱頭蓋和IKEDA唱頭組合在一起是再好不過了,而且調整又簡單.
如果是搭配IKEDA(或FR)自家的唱臂時,只要將唱頭調到日本工業局(好像是JIS)所設定的"標準針距"50mm即可.

附件 21434

和IKEDA唱頭蓋裝起來之後,這顆編號009的IKEDA 魁(KAI)唱頭,看起來特別美,又有精神.
想必一定很好聽.
嗯~應該是如此吧!!
故事的結局一般不都是如此嗎??

[將軍]

好聽就結文了,為何還有一篇??
說真的,我好久沒聽過這難聽的聲音.
我萬萬沒想到將"魁(KAI)"裝到FR66S之後,竟然會這麼難聽.
嚇得我真不知該怎麼形容!!
唉~反正就是難聽啦!!

我隔天打給小高,又是:
@@XX%%$$##.
小高仍是慢吞吞地說:
這顆"魁(KAI)"有針桿,唱頭質量又不重,要不要換支敏感度好一些,質量不要太重,屬中低質量的唱臂來試試看???
其實,這點我早該注意到,但卻忽略了;
因為我一直認為IKEDA自家的搭配應該是最完美的.
所以,換支唱臂試試也無妨.
我和小高雖都屬意REED,但仍是老問題,那二支REED都已經調整好,我實在懶得去動.
好吧!!那就只剩下GRAHAM了,反正它最閒.
至於該使用PII或2.2呢??
我仍舊是選用2.2
事實上,我放棄使用PII已經一段時間,因為他實在不符合我的需求.
反過來說,我個人認為2.2比PII優秀太多了!!

附件 21435

附件 21436

附件 21437

附件 21438

將IKEDA 魁(KAI)的針壓設定在1.8g.
唉~好哇~這樣才像個樣子.
一掃陰霾的美妙聲音,這次我也懶得形容太多....
因為我足足聽了3個小時,是我這半年內的忙碌以來,聽的最久也坐的最久的一次.
甜甜的聲音有回韻,就好像喝了有果香口感的葡萄酒,回味無窮!!
IKEDA 魁(KAI),好唱頭!!

[kevintran]

可惜將軍不寫小說，這兩篇真是峰迴路轉！本以為故事已經結束了，結果下一句又是一個驚奇。這個唱頭的作工真的好精致，那個寶藍色的殼兒真是漂亮啊！

從外表看，這顆將近1萬美元的唱頭，

在外觀的精致度上就差了一節。雖然聲音應該也很好（或者有可能更好），但是Ikeda魁的外型對我來說簡直就是藝術品了！

[hojuiyang111]

將軍兄其實是在提醒大家,唱臂唱頭的搭配太重要了..

[小佐]

將軍大的分享真得獲益良多~~~也讓自己多些見聞~~~太棒啦