Viola的用戶，請報到:):):)
我是使用Viola Lab Cadenza Preamp
可列印查看
Viola的用戶，請報到:):):)
我是使用Viola Lab Cadenza Preamp
最近Gryphon這麼紅，可憐的Viola.....這麼好的東西沒人用喔!
引用:
作者: AndyChu
小弟是用不起啦....:D:D
只能給ANDYCHU兄讚聲一下.....:o
用不起 ..........+1
用不起 + 1......排隊等Andy兄.........:)
用不起 ..........+1
me tooooooooooooo:D引用:
作者: maxist
有這麼貴嗎? 你們用的也不太便宜吧
引用:
作者: AndyChu
那會沒人用, Viola 很棒的東西..:)
都是很低調的玩家吧，買了都躲起來聽音樂了嗎(blush)(blush)(blush)
引用:
作者: hojuiyang111
很多高級系統的玩家,引用:
作者: AndyChu
鮮少會上來發言的.
gryphon 還有中價位的東西,
發言會多一些吧?
Viola 好像沒有.
此外TOM 過世之後,大家可能有些疑慮吧?
買家可能縮手?
專訪燒友: 新加坡 謝 兄http://www.myav.com.tw/bbs/showthread.php?<br />1=&threadid=272190&http://img97.imageshack.us/img97/1475/p2141850.jpgperpage=12&pagenumber=1805 />1=&threadid=272190&perpage=12&pagenumber=1805
http://img130.imageshack.us/img130/4417/p2141843.jpg
另一位設計師不也是很出名嗎? 另一位跟Cello沒關係?:O:O
引用:
作者: hojuiyang111
嚴格說來,沒多大關係!!引用:
作者: AndyChu
硬要說,只能說是TOM的合作夥伴!!
Cadenza還是有一個關鍵的地方比不上自家旗艦或它家旗艦的地方........就是小音量的時候，質感跟細節差了一點，還是要調到一定的音量才出得來，出來後雖然不輸.....但是前級好壞最關鍵的地方也在這裡.........就是小音量也要很好聽..........
對我而言, Viola和Gryphon的價格帶同屬,但給的卻不同!!引用:
作者: hojuiyang111
應該說,花同樣的錢,Gryphon給得更多!!
Viola在台灣始終紅不起來的問題,一部份要歸咎於代理商自己不夠積極!!
原廠支援的範圍可能影響代理的積極度......有些是否應該也是原廠的責任
引用:
作者: 將軍
答案可以說是也可以說不是.....要講到這層面就複雜了.....
生意場上，如果相信有誠信的話，好東西但普及度不好，雙方都有責任的，但如果一方是較強勢的，有時代理會反感的;反之代理不好，如果原廠重視台灣市場，就該早換代理。
除非.......可能賣得不錯，就是分享的人少而已，畢竟代理那裡很多大卡不方便放話的客人還滿多的。
引用:
作者: 小葉
有時候代理也可要求原廠要怎麼做的........
這問題複雜的
精通人情世故的人，該爭取的，該妥協的東西其實差不多的，懂不懂就是好不好..........
操作裡當然有很多細節....懂就懂細節...貴我雙方都有不同的條件，要成功都有方法的........除非有一方不懂，品牌挑代理，代理也可挑品牌......音響不同於流行服飾
幫你熱一下!!
SPIRITO前級(1OUT模組/3IN模組)+1
BRAVO後級在等你....:o:o:o
HISTORY引用:
作者: AndyChu
Viola Audio Labs was founded in 2001. At its heart is the collaboration between designers Tom Colangelo and Paul Jayson.
Tom and Paul began their careers with Mark Levinson, the man who is credited with being the founder of high-end audio. In his pioneer days developing the first high-end audio company, Mark Levinson Audio Systems, Mark partnered with a young audio enthusiast with a keen understanding of the laws of physics. That man was Tom Colangelo. Tom became MLAS' chief design engineer in the 1970s and helped develop some of the legendary MLAS products that shaped the world of audio for the next three decades. Paul Jayson, the second member of the design team, joined MLAS as an engineering assistant.
While Tom and Paul worked together at MLAS, they pioneered a craftsman guild approach to construction and manufacturing. The best components available were located, every part was inspected and the highest quality standards were applied to create the best sound equipment possible. Solid-state technology affording greater reliability, consistency and convenience, was adopted instead of the vacuum tube.
When Levinson left Madrigal to form a new company, Cello, Tom and Paul went with him to form the design core. In the new environment Tom continued to fashion products that set the mark for high-end audio. The Audio Suite, Audio Palette, Performance Amps and Strings became the first components of their system. The creation of the Stradivarius speaker line completed the picture. In the following years Tom and Paul designed the award winning encore line of components and a succession of speakers that shaped the 1980s and early 1990s. Along the way Paul completed his degree work in engineering and became the engineering manager while Tom continued to lead the research and development activities.
The third original principal was Tony DiSalvo. Tony first started to work with Tom and Paul in the late 1980's after leaving his Yale University faculty position to join them. As Viola's Chief Operating Officer he guided the company through its formation. Tony later left to pursue other interests.
BRAVO正在呼喚我們兩個......我是很有規矩的，年長者先:*:*:*:*
引用:
作者: 將軍
我又沒打算開音響店....:D:D:D引用:
作者: AndyChu