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If someone in Hi-End really likes to know and also study the different sonic of the cutting/mastering, this name list of DECCA engineers (as below) is helpful. Different engineers could make a sonic variously. You may have your own favorite engineer(s) if you have the chance to verify the same recording(s) with the different cutting/mastering engineers. It's really an interesting practice and you may consider the so called "ED1" may not ALWAYS be the best sounding record(s).
list of Decca Engineers from 1957 to 1972.
The Cutting/Mastering Engineers
A= Guy Fletcher.
B= Ronald Mason.
C= Trevor Fletcher.
D=Jack Law.
E= Stanley Goodall.
F= Cyril Windebank.
G= Ted Burket
K= Tony Hawkins.
L= George Bettyes.
V =Quentin Williams.
W= Harry Fisher.
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FYI, that two of cutting/mastering engineers are also the recording engineers: (1) E=Stanley (Stan) Goodall, for Oiseau-Lyre mostly, (2) Tony Hawkins, an free-lance recording engineer for most of the British classical record companies after 1970.
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You have to SEE this!!
THE SOUND AND THE STORY - RCA
http://www.archive.org/details/SoundAndTheS
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李大哥的新唱臂
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調整中的 12 吋 zorin 唱臂
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引用:
作者:
小葉
昨晚承 mell兄引路.至 李前輩音樂空間朝聖.:O.
上面大圖是目前配置.只少了白茶几之前的小圓凳(最近黃帝位).
前輩還給我們看了..空間設計"手稿"與空間測量頻響圖.看現場的屋頂-往上(後)的斜度比照片感覺要更大..
這裡聽音樂-談音響..一切就是~自然..輕鬆..和徐自在.:)
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time fly..
自初結識 李前輩..忽而已屆3月之遙.
眾知.. 李大哥~近處於半閉關期.
因其主喇叭..處於"重要"維護期間.
是超過一般燒友想像的繁瑣工作.
但預期見..李 大哥一番整治之後~重發鐘鼎之聲..
給我輩新的啟發..哈.
