線身長得好像oyaide FTVS-510:O
價位大概是?
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線身長得好像oyaide FTVS-510:O
價位大概是?
動作真快!!
一出新線馬上試聽 :D
價格好像是20幾萬..........我不曉得有沒有聽錯？！
.............你一定聽錯了
可能是有幾對加起來20幾吧.........
20w? too crazy..............
該不會是日圓吧?
即使是日圓也很嚇人呀
這次TM來，對這線說明了許多
TM說這幾年來，他發現即使是一樣的器材，在不同地方的表現差異是非常大的
有一次他到一個經銷商那，系統設定好，但聲音確很難聽，不應該如此
因此大家就開始調音，換線材之類的...後來才調到滿意的表現
因此TM發現線材是系統中一個很重要的weakness link
就開始研究線材如何能達到一個穩定的表現
他這三年來在超過100多個系統上試過，讓用家都非常訝異這線的表現，越多人需要這樣的線材
因此決定將TM線材正式問市
:O 這樣的 不敢要試聽了 :|引用:
作者: 小葉
Touraj Moghaddam (TM)的調音方式
My method of setting systems up revolves around three main steps:
A - Start by following the Golden Rules
B - Identify the pivotal component(s)
C - Find the weakest link(s)
What are 'Golden Rules';
These are well proven, applicable to almost all systems; for example:
>> Finding out speaker positions in the room by experimentation and/or using formulas like odd 'harmonics' of room dimensions. (1/3, 1/5, 1/7 of the length and the width of the room)
找出合適的喇叭位置
>> Utilising rigid, preferably light and non-resonant equipment stands
使用堅固、較輕與沒有共振的音響架
>> Dressing Signal, Speaker and Mains cables
良好擺放訊號線、喇叭線等主要線材
>>Paying attention to acoustics of the room and correcting by placing plants in bare corners; not leaving reflective surfaces between the speakers, and so on
注意房間的聲學，並在空個角落放些植物類的東西，不要在喇叭間放置反射的表面
Following these rules ensures system components are given the chance to perform 'correctly' without any obvious mistakes in setup that would seriously impair component performance within that system.
What are 'Pivotal Components';
確認出關鍵的器材，這些器材只要一變化就會對系統造成明顯的影響
In a reasonably well setup system there may be a component that slightest change in the setup, location, support or position of that component has a profound influence in the overall performance of the system. Such a component, I call Pivotal. A pivotal component can 'make' or 'break' the performance of the whole system.
Important Notes:
>> In any given system, there may be more than one pivotal component
很多系統，關鍵的器材不只一件
>> The same component may not prove to be pivotal in another system or a different setup
同一件器材在不同的系統中不見得一樣會屬於關鍵的器材
Special attention to the setup of a pivotal component will later prove invaluable in how enjoyable the system would be. For example in one system the record player could be a pivotal component. Then we have to ensure not only its general setup is spot on, but we should also ensure that all the ‘little’ things are evaluated and corrected. Things like the direction of the drive belt (e.g. a flat section belt could be placed inside out or even upside down). If there is a record mat that can be placed either way up; it should be checked and placed the correct way. Sometimes these parameters are relatively simple to identify and thus easily corrected. Sometimes we have to try by REPEATED listening to establish the correct setup. Either way listening to the music, realising the pleasure and the harmony it brings and evaluating the performance of the musicians is the key to understanding if we have got it right. Getting ‘it’ right is setting the pivotal component(s) up correctly. This is the key to a ‘working’ system. Systems with pivotal component(s) unaddressed, will tend to have ‘days’. They are often temperamental and ‘confusing’ when it comes to providing the pleasure in listening to music that we all seek.
How to identify the 'Weakest Link(s)';
越好的系統越難找出最弱的連接，將最弱的連接換上更好、更適當的連接時，系統會提升許多。
TM所說的表限是指音樂的內容而不是音響性的特點。
不平衡的系統是無法播放各類型的音樂，會聽起來很無聊、沒有活力或是甚至聽不下去。
This now, is rather more difficult. Of course, in an ‘Average’ system it is quite easy to find the weakest link(s), however with high performance systems this task becomes more and more difficult; to the point when evaluating a REALLY good system, one with correctly setup pivotal component(s), it could take weeks, months or even years to identify the weakest link!
Replacing the weakest link with a better, more appropriate, component will always result in a far superior system and it could also become the eye opener that restarts the whole 'evolutionary' process from the beginning. Now isn't that fun!? And isn't this the reason that we can only quest for the perfect system.
Identifying the weakest link is quite important. This is the component that defines the performance threshold above which the system will not be able to perform. Even if the other components are improved well beyond the requirements of that system, their effect on the overall performance will be highly limited and mostly questionable.
It should be noted that by 'performance' I am referring to the musical content and not the sonic characteristics otherwise known as the 'Hi-fi' aspect of the system. Unless this weakest link is replaced with a component of similar 'calibre' relative to the rest of the system components, the performance may not even be 'balanced'. This 'unbalance' is felt when the system is not quite capable of playing varied types of music. In such systems, many types of music will sound boring, lifeless or in certain cases even unbearable.