我２５歲已經在拼鏡頭啦，小小葉已經沒對手了
可列印查看
我２５歲已經在拼鏡頭啦，小小葉已經沒對手了
SONY小碟子裡的醬料怎不見了?
蚌肉也變黃色了
那是曝光點不同
看看冰塊的色澤與細節~~~
看看綠葉的層次感~~~
SONY比較像真實的物體，滿分！
不過兩張的對焦處好像差很多 @@...找機會再PK
對焦點真的差很多...
看靜態的沒用~引用:
作者: 小葉
拍幾張妹來看~
HTC的快門遲滯超嚴重~
SONY的不知如何~
應該是被Iphone 4S巴假的~
尬一下~~~~~出發龍亨PK~
最好是啦.........引用:
作者: 小葉
不然亞曼鬆一下~~~~~出發~~~~~~
到底為什麼站長可以眼睛瞎成這樣....
SONY真是太強了，你下次就知道厲害了......
SONY NEX-7 今天開始在 sony style上市, 單機身四萬元有找 .......
癮科科上的連結 ：
http://chinese.engadget.com/2012/01/...-for-nt-39980/
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您好!我是億華的結帳櫃台~小盈~結帳時有意見或客訴都可以跟我說喔^^發佈者： Ewhat 億華數位科技
小淫妳好，我下面的那隻70~200的大炮...........................怪怪地~~~~~
70-200不算大砲.......
是充血前的喔~~~~~~
自我感覺良好????引用:
作者: 小葉
真是不便宜~~引用:
作者: kib
果然是$ony
還買不太到了....kib買好久~~~~~
200/F2不錯~引用:
作者: AndyChu
頭蠻大的~~
噴人像不錯, 散景優美~引用:
作者: sancoba
全球家喻戶曉的相機及軟片巨擘、百年老店美國伊士曼．柯達公司，早在一九七五年便發明第一台數位相機，卻終於不敵數位化浪潮，十九日聲請破產保護。柯達將在十八個月重整期內出售一千一百項與數位相關的專利權，重新塑造成一家以數位影像及材料為主的公司。 柯達董事長兼執行長裴瑞茲在聲明中表示：「柯達正採取重要步驟以便完成轉型。公司必須進一步重組成本結構，出售非核心的智慧財產權以換取現金。我們期望與股東共同努力，使柯達轉變成一家規模適中、世界級、數位影像及材料公司。」
柯達已自花旗銀行取得九．五億美元、為期十八個月的融資，以維持重整期間的營運。早在一八八八年時，KODAK便註冊為照相機的商標，一八九二年起由創辦 人喬治．伊士曼正式定名為伊士曼．柯達公司。柯達先後推出手持式相機及轉動式軟片，成為市場主導者。一九六九年太空人阿姆斯壯還用柯達相機把月球的影像帶 回給世人。當年柯達在創新的成就好比今天的蘋果或谷歌。
柯達雖在一九七五年便發明了第一台數位相機，卻因為擔心影響軟片生意而將其束之高閣，以致在技術上被佳能、卡西歐及尼康後來居上。柯達曾力圖轉型成在數位相機及照片分享方面領先的高科技公司，近年又聚焦於沖印業務，但未能取得突破性進展。
柯達從二○○七年起持續虧損，導致現金枯竭，無法發放退休年金及員工福利。截至去年九月底時，柯達共擁有五十一億美元的資產，負債卻高達六十七億五千萬美 元。股價市值從十五年前的三百一十億美元，萎縮小到目前不到一．五億美元。員工數從全盛期的十四萬五千人縮減到現在的一萬九千人。
全文網址: 不敵數位化浪潮 柯達聲請破產保護 | 柯達聲請破產 | 全球觀察 | 聯合新聞網 http://udn.com/NEWS/WORLD/WORS1/6858...#ixzz1jxxeWfAu
Power By udn.com
第一個發明數位相機的最先倒閉？！
這個叫拿石頭砸自己的腳, 被自己搞倒
最有天才的不一定是最成功的...........
天才不是很重要的，留給別人
我們當成功的就好
簽到一下...
Canon 600D + Sigma 17-70 F2.8-4
下一隻鏡頭預計是能近拍的大光圈定焦 :)
最早發明視窗概念的不是Apple，Sun，或是微軟 －－－》是Xerox
最早發明UNIX的不是Sun，Linux －－－》是Bell Labs（AT&T）現在的AT&T是以前AT&T分出來的子公司之一
在這個社會，誰發明的不重要；誰會賣，比較重要。
這兩家以羅徹斯特為根據地的公司 命運一樣悽慘~~
一家被日本人收購!! 另一家可能會被中國人買走??
5d MARK III
canonrumors.com网站消息，他们得到可信信息，佳能和尼康都在2012年2月7号开产品发布会。消息爆料人，很确定佳能将会发布5D MARK III，之前已经有佳能5D MARK III谍照流出【查看详情】。
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虽然目前还没有看到佳能公司公布5D MARK III 发布会的邀请函，但是今天台湾摄影师 Kevin Wang在Facebook上说，他将成为佳能官方 5D MARK III摄影师。
目前得知的参数：
22mp
61pt AF
7.5fps (this I’ve only seen once)
DIGIC 5+
New Battery Grip with Joystick
GPS Ready
世界最高有効画素数36.3メガピクセルの圧倒的な高精細・高画質を実現したニコンFXフォーマットデジタル一眼レフカメラの新ラインナップデジタル一眼レフカメラ「ニコン D800 / D800E」を発売
2012年2月7日
株式会社ニコン（社長：木村 眞琴）の子会社、株式会社ニコンイメージングジャパン（社長：五代 厚司）は、世界最高※有効画素数36.3メガピクセルで、新画像処理エンジン「EXPEED 3」や91Kピクセル（約91,000ピクセル）RGBセンサーを搭載し、圧倒的な高精細・高画質を実現した、ニコンFXフォーマットデジタル一眼レフカメラ「D800」を発売します。
なお、2月9日（木）～12日（日）、横浜で開催される「CP+ CAMERA & PHOTO IMAGING SHOW 2012」 に「D800」の実機を展示し、一般公開します。
- ※2012年2月7日現在、35mmフィルムサイズに準じた撮像素子搭載のレンズ交換式デジタル一眼レフカメラにおいて
http://www.nikon.co.jp/news/2012/img/d800_01.jpg
デジタル一眼レフカメラ「ニコン D800」
AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR 装着時
発売概要
なお、「D800」とレンズを組み合わせた以下のキットも同時発売します。
商品名 デジタル一眼レフカメラ「ニコン D800」 価格 オープンプライス 発売予定 2012年3月22日
- D800 28-300 VRレンズキット オープンプライス 2012年3月22日発売予定 AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR 付き
http://www.nikon.co.jp/news/2012/0207_d800_01.htm
PENTAX K-01 Interchangeable Lens Digital Camera
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Posted by Admin on February 06, 2012 - Reply
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Pentax announced the 16-megapixel K-01 interchangeable lens digital camera (ILC) designed by Marc Newson. The contemporary PENTAX K-01 (prounouced kay zero one) houses a full array of advanced functions and user-friendly features in a camera body with remarkable form and function. The elimination of an optical viewfinder and quick-return mirror gave Newson more freedom in designing the camera body, and the K-01 showcases Newson originality in every detail. Available in black, white and Newson's signature yellow colors, the K-01 features the designer's autograph logo stamp on the bottom of each camera.
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The famed designer's touch also is evident in a new smc PENTAX-DA 40mm F2.8 XS interchangeable lens. As the world's thinnest interchangeable lens, the new 40mm combines with the PENTAX K-01 camera body to deliver a unique ILC system that is perfect for photographers who are as keen on design as they are on performance. Together, the K-01 and 40mm lens system mark the intersection where high technology and high design meet.
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Features
- Durable machined aluminum frame under a stylish black, white, or yellow exterior.
- PENTAX mirrorless body design is compatible with 25+ million PENTAX K-mount lenses spanning decades.
- Large 16-megapixel APS-C sized CMOS image sensor with low noise image capture and multiple aspect ratios.
- Bright, high resolution 3 inch LCD with 920,000 dots.
- Full HD 1080p video capture at 30 FPS with h.264 compression (60 FPS at 720p) features outstanding video capture flexibility.
- Sensor-shift PENTAX Shake and Dust Reduction system is compatible with every mounted PENTAX lens.
- Fast 6 FPS burst mode is ideal for fast-action photography.
- Flexible ISO range of 100-25600 ensures gorgeous noise-free imaging in any lighting condition.
- Focus peaking mode provides fast and accurate manual focusing for critical focus applications.
- The world's thinnest interchangeable lens for lens-interchangeable digital SLR cameras, as of February 1, 2012 (based on PENTAX's research).
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『500mm F4 G SSM』
ソニーは、大口径超望遠レンズ『500mm F4 G SSM』を発売します。受注開始は、2012年2月8日（水）で、翌日9日（木）から12日（日）までの4日間、神奈川県・横浜市（パシフィコ横浜）で開催予定の、カメラと写真映像の情報発信イベント「CP+（シーピープラス）」で展示します。
このレンズは、ソニー高品位ブランドである「Gレンズ」の、もっとも焦点距離の長いモデルです。「ナノARコーティング」を新採用し、内面反射によるフレ ア・ゴーストを抑えた、クリアな画質を実現しています。主なターゲットは、スポーツや動物をメインの被写体とするプロカメラマンや、ハイアマチュアユー ザーで、オートフォーカスの動体追尾性能を向上し、また、タフな撮影環境下での撮影に対応できる防塵・防滴設計を備えています。操作ボタンも、望遠撮影サ ポートを考慮の上、レイアウトしています。
名称 (型名) 受注開始日 メーカー希望小売価格 お渡し 『500mm F4 G SSM 』(SAL500F40G) 2月8日 1,312,500円（税込）
（税抜：1,250,000円）5月中旬より順次
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ボディー（ブラック）
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ボディー（シルバー）
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ボディー（ブラック）＋「M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ」（ブラック）
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ボディー（シルバー）＋「M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ」（ブラック）
http://olympus-imaging.jp/product/ds...ex_image04.jpg
Olympus OM-D E-M5 Micro Four Thirds Digital Camera
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Posted by Admin on February 08, 2012 - Reply
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Classic Designed, 16MP Interchangeable Lens Camera with Built-In Electronic Viewfinder, 5-Axis Image Stabilization and the Fastest Autofocusing System to date
Olympus announced the E-M5, the first of the new Olympus OM-D (OM Digital) Series of Micro Four Thirds products. Designed to meet the needs of advanced photographers, the Olympus E-M5 is packed with a built-in electronic viewfinder, superior image technology, blazing fast speed and total creative control in a classic, rugged body ready for sand, sun, sleet or snow.
Evoking the classic design of the original OM Series introduced 40 years ago, and transforming it for the modern age, the Olympus OM-D Series is a new and entirely unique Micro Four Thirds camera system. It combines outstanding features found in the Olympus E-System DSLR line with those of the compact Olympus PEN Series to meet the requirements of discerning photographers who demand more performance and portability from their interchangeable-lens cameras.
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Features
- A built-in 120-fps (frames-per-second) refresh rate, high-resolution electronic viewfinder (EVF) with outstanding image quality, eye detect and intuitive functionality that enables real-time viewing of shooting conditions
- A 16.1-megapixel Live MOS Sensor and TruePic VI image-processing engine for superior image quality and high sensitivity
- The world's first 5-axis image stabilizer to compensate for multi-directional camera shake during both still photography and HD moviemaking
- The world's fastest autofocusing system (FAST AF) plus new 3D AF tracking for improved performance following moving subjects at up to 9 frames-per-second
- A lightweight magnesium alloy body that is enhanced with the same dustproof and splashproof durability of the Olympus E-5 DSLR
- A tilting 3.0-inch touch screen OLED and new Movie Effects: One Shot Echo, for a semi-transparent frame at your whim and Multi Echo, for a multi-motion trail effect.
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Intuitively Designed Electronic Viewfinder
The OLYMPUS E-M5 is the first Olympus interchangeable-lens camera to incorporate a 120-fps refresh rate, High-Definition electronic viewfinder with an eye sensor to seamlessly switch the display between the tilting, 3.0-inch touch screen OLED and the electronic viewfinder for ease-of-use, features a 100-percent field of view, maximum 1.15x magnification and an eye point of 18mm for fatigue-free viewing. Camera setting information, such as shutter speed, is displayed at the bottom of the viewfinder so photographers can concentrate on framing shots and take full advantage of an EVF's ability to display the effects of various exposure adjustments and Art Filter effects -- all without having to take the eye away from the viewfinder.
Superior Image Quality
The Olympus E-M5 uses a new 16.1 megapixel High-Speed Live MOS Sensor offering improved performance and exceptional clarity and speed in all aspects of image capture. Olympus' TruePic VI image-processing engine dramatically improves image quality in low-light environments. The camera's sensor allows for a maximum ISO of 25,600, and the dynamic range has been expanded for more faithful color reproduction.
Unprecedented 5-axis image stabilization
The Olympus E-M5 is distinguished by the world's first 5-axis image-stabilization mechanism capable of reducing the effects of camera motion and image blur from five directions on stills and video, even including motion blur caused by the photographer walking or running. Previous IS mechanisms compensated for camera shake by addressing only two kinds of movement along the vertical and horizontal axis. However, camera shake can actually be caused by five different kinds of movement: horizontal shift, vertical shift, rotary motion, as well as the yaw and pitch. While some technology has attempted to correct for camera blur by building the Image Stabilization mechanism into the lens, the Olympus E-M5 IS mechanism is incorporated into the camera body itself so that all lenses mounted on the body can take advantage of this sophisticated technology, whether shooting stills or HD video.
Blazing Speed
Focus and shoot faster with record-breaking autofocus speed and imaging processing. The Olympus E-M5 employs the FAST (Frequency Acceleration Sensor Technology) AF system, introduced in the PEN E-P3, but with even greater speed. The 16MP Live MOS chip drives image data off the sensor at a blazing 240 frames-per-second, a 2X speed increase in Continuous Autofocus, with reduced image blackout enabling photographers to track fast action, Maximum frame rates have also increased more than 2X with a max frame rate of 9-fps in Single AF. A new 3D tracking AF system can follow the subject through the X-, Y- and Z-axes to dramatically improve focus on moving subjects. Paired with the M.ZUIKO DIGITAL ED 12-50-mm f3.5-6.3 electronic zoom lens for optimum focusing speed, fast camera start-up times and operational speeds enable the photographer to keep up with the most challenging shooting situations, while dual control dials and dedicated function buttons help them adjust settings on-the-fly.
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Creative Freedom
The Olympus E-M5 features a 3.0-inch tilting OLED touch-screen to enable photographers to get up high or down low for any shot. The touch screen interface offers intuitive focus and release of the shutter and review and enlargement of images in playback with the touch of a finger. The new Live Bulb feature updates the Live View image on the OLED screen at pre-set intervals during long exposures and enables the user to preview continually unfolding action such as fireworks or waterfalls and adjust the exposure time accordingly while capturing the image at the desired moment. An innovative new interface, EVF Creative Control, produces a tone curve overlay on the viewfinder screen to enable separate adjustment of highlight and shadow brightness, white balance, magnification and aspect ratio can also be manipulated via the EVF
A new "Key Line" Art Filter joins ten other available filters on the Olympus E-M5 and enhances the edge lines of the image to make it look more like an illustration. New "Cross Process II" and "Dramatic Tone II" Art Filters provide variations on the popular existing filters, and the two new Echo effect for movies leaves a momentary residual image of a subject's movements when activated during movie recording. Users who like to perform their movie post-editing on a PC will particularly appreciate the Full HD 1080i movie recording function, which adopts the MOV format (MPEG-4 AVC/H.264).
Powerful Portability and Rugged Durability
The striking, iconic design of the Olympus E-M5 is more than just looks; its magnesium alloy body is rugged enough to stand up to severe environmental conditions like heavy rain and blowing sand. The Olympus E-M5 employs internal seals extensively and, when the new M.ZUIKO DIGITAL ED 12-50 mm f3.5-6.3 EZ lens is attached, this combination delivers an integrated dustproof and splashproof camera system. The electronic viewfinder section of the body is also made of magnesium alloy to ensure durability, and the FL-LM2 Electronic Flash that ships with the camera features the same dustproof and splashproof construction.
New Lenses and Accessories for Every Shooting Challenge
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The HLD-6 Power Battery Grip, in the same dust- and splashproof construction as the Olympus E-M5 body, is an adaptable, two-part grip that can be used either as a landscape grip for easier handling or as a portrait grip with an additional shutter release. The portrait grip accommodates an extra lithium-ion battery to supplement the one in the E-M5, thus extending battery life. The FL-600R electronic flash (GN 50 at ISO 200 or GN 36 at ISO 100) offers improved recharge time and enhanced flexibility and operability for movie recording, and with a wireless control option. Equipped with a built-in LED, the FL-600R can be used to light movies and as a brighter AF auxiliary light. The MMF-3 Four Thirds mount adapter is designed for mounting a Four Thirds Standard-compliant lens on a Micro Four Thirds Standard-compliant camera body. The MMF-3, which also features dust- and splashproof construction, is ideally suited for use with Olympus' similarly constructed High Grade and Super High Grade lenses.
The Olympus E-M5 is compatible with all Micro Four Thirds-compliant lenses, including two new lenses that Olympus will introduce later this year: the M.ZUIKO DIGITAL ED 75mm f1.8 and the M.ZUIKO DIGITAL ED 60mm f2.8 macro. The 75mm lens is a high-quality metal design with fast aperture settings for portraits and indoor sports shooting, while the dustproof and splashproof 60mm lens features 1:1 macro and a closest shooting distance of just 7.5 inches.
Canon EF 24-70mm, 24mm, 28mm f/2.8 Lenses
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Posted by Admin on February 08, 2012 - Reply
Canon announced two new versions of its coveted Wide Angle Lenses and a new version of its popular 24-70mm Standard Zoom Lens for professionals and photo enthusiasts. The new EF 24-70mm f/2.8L II USM, EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM lenses use a rear focusing system, high-speed CPU, and a powerful ring-type Ultra Sonic Motor (USM) with optimized AF algorithms for faster auto focusing and sharp images. With large apertures these new lenses deliver beautiful, soft backgrounds for superior image quality.
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Canon EF 24-70mm f/2.8L II USM Lens for Harsh and Rigorous Conditions
This new version of one of Canon's most popular lenses utilizes one Super UD lens element and two UD lens elements to help achieve outstanding image quality throughout the full zoom range. The result is significantly reduced chromatic aberration in the outer area at wide-angle, high resolution and contrast in images and crisp clear edges around the subject. The lens coatings have been optimized to ensure exceptional color balance while minimizing ghosting, and reduced spherical aberration. With a circular nine-blade diaphragm, the lens delivers soft backgrounds and incredible bokeh.
In demand by architectural, corporate, adventure and professional photographers of nearly every discipline, the EF 24-70mm f/2.8L II USM lens combines amazing image quality with enhanced durability. Highly resistant to dust and water, the new lens has enhanced durability and weather sealing. The lens also features a zoom lock lever to secure the zoom position for safe transport, and fluorine coatings on the front and rear glass surfaces to reduce smears and fingerprints, making it an ideal lens regardless of the conditions.
See more about:
Newest Lenses
Canon Lenses
Canon SLR Cameras
Canon Standard Prime Lenses with Optical Image Stabilizer:
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EF 24mm f/2.8 IS USM & EF 28mm f/2.8 IS USM
Empowering landscape and wide-angle photographers with improved optical performance, Canon has upgraded both its EF 24mm and EF 28mm lenses with Image Stabilization technology and Ultrasonic Motor-powered auto focus. Both lenses feature Canon's Optical Image Stabilizer technology providing up to four shutter speed stops of correction. With the Optical Image Stabilizer turned on, photographers can capture sharp wide-angle images in low-light settings reducing the need for a flash or a tripod. New aspherical lens elements improve the peripheral image quality and a seven-blade circular diaphragm delivers beautiful, soft backgrounds. The silent and smooth operation of each lens makes them ideal choices for shooting video as well. The EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM lenses each have a minimum focusing distances of 0.20m and 0.23m, respectively.
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Price and Availability
Canon EF 28mm f/2.8 IS USM lens will be available June 2012 for $799.99
Canon EF 24mm f/2.8 IS USM lens will be available June 2012 for $849.99
Canon EF 24-70mm f/2.8L II USM lens will be available April 2012 for $2,299
CP+ Camera & Photo Imaging Show wrap-up
By Zach Honig http://www.blogsmithmedia.com/www.en...writer_rss.gif posted Feb 10th 2012 8:47AM
Feature
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It's never easy to leave Japan -- the friendly people, incredible food, cutting-edge tech, clean streets and efficient public transit network mean we never hesitate when given an opportunity to visit this incredible country. But sadly, our latest adventure has come to an end. This year's CP+ Camera & Photo Imaging Show brought thousands of photography fans to Yokohama, a metropolis just a short train ride away from Tokyo. And while CP+ is still primarily a Japanese trade show, it served as the global launching ground for dozens of top camera models, including the Nikon D800, Olympus E-M5 and Pentax K-01, just to name a few. Bag and tripod manufacturers could be found spattered amongst the Japanese camera giants, but overall this show was more about the latest cameras than gimmicky accessories. There was still plenty of entertainment to be found on the show floor, so scroll through our gallery below for an inside look at life at CP+, or jump past the break for a roundup of our hands-ons and related news stories. Sayonara!
最近當阿爸,繼續用R8
http://www.my-hiend.com/vbb/attachme...6&d=1329020114
這張GRD3拍的