小葉, 也真的是該跳槽N家換D700的時候了~~~
可列印查看
Ho Li Song.......
Canon FK30-300 and FK14.5-60 PL-Mount Digital Cine Zoom Lenses
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Based Upon a New Optical Design Platform, These Precision-Matched Wide-Angle and Telephoto Cine Zoom Lenses Feature Multiple Imaging Enhancements
Canon introduced two advanced-design PL-mount lenses that address the emerging 4K production standards. Designated as the Canon FK14.5-60 wide-angle cine zoom and the Canon FK30-300 telephoto cine zoom, these precision-matched lenses incorporate breakthrough Canon optical designs that simultaneously optimize and enhance multiple imaging attributes while minimizing optical aberrations and distortions. Both lenses are also more compact and lightweight than contemporary PL-mount lenses and both feature a totally new Canon optical design that virtually eliminates focus breathing. As digital cinematography continues to accelerate for theatrical motion pictures, TV movies, episodic dramas, commercials, and other forms of digital high-resolution production, professionals will require the very best in performance and image quality. By already performing in accordance with emerging 4K production image format standards, both of the new Canon PL-mount cine zoom lenses inherently ensure the very highest performance in contemporary 2K and HD digital motion imaging.
Both the Canon FK14.5-60 wide-angle cine zoom lens and the FK30-300 telephoto cine zoom lens are engineered to meet the most demanding overall imaging requirements of the latest large-format single-sensor digital cinematography cameras, and the creative requirements of the most discerning cinematographers, producers, and directors.
"The 2K and HD digital production formats are firmly established in the global marketplace today, while 4K resolution is poised to further propel the imaging quality of digital cine production. Anticipating this exciting evolution in digital acquisition guided Canon's developments of a new optical platform in recent years to meet the current and future imaging needs of high-resolution camera sensors," explained Larry Thorpe, national marketing executive, Broadcast and Communications division, Canon U.S.A. "Canon has extrapolated a new optical platform -- first seen during NAB 2009 on a working prototype 8K lens -- to bring to market these two new PL-mount lenses. Advanced glass materials, exotic new optical coatings, and new computer-design techniques were all employed to achieve significant overall optical performance in these two lenses."
Digital Cinematography for Feature Films
Canon's new FK14.5-60 wide-angle cine zoom lens and FK30-300 telephoto cine zoom lens are both engraved with large, highly visible focus scales for convenient film-style operation. Both also have a common 136 mm front diameter for use with industry-standard optical accessories. The location, diameter, and rotation angle of the lens gears are also identical, which further facilitates convenience in exchanging lenses on-set.
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The wide-angle FK14.5-60 maintains its T2.6 maximum aperture over the entire focal range, and with the virtual absence of focus breathing offers new freedom in exploring novel picture creation. The lens preserves a high MTF (modulation transfer function) at wide-open apertures, exhibits well-controlled light distribution across the image plane, and greatly curtails ghosting and veiling glare artifacts from strong light sources. These attributes combine to help ensure superb contrast under a wide range of scene-lighting conditions, help maximize the image-creation capabilities of the current top-of-the-line single-sensor digital cinematography cameras. The telephoto FK30-300 complements the wide-angle FK14.5-60 in larger studios while also servicing many outdoor shots with exceptionally vivid imagery.
TV Movies, Episodic Series, and Commercial Production
The focal ranges offered by the wide-angle FK14.5-60 and the telephoto FK30-300 cine zoom lenses are designed to flexibly address most of the needs of contemporary HDTV episodic program production. The short depth of field, high sensitivity, superb contrast ratio, and excellent picture sharpness of both lenses are designed to provide producers of TV movies, episodic (drama) series, commercials, and music videos with the creative imaging flexibility needed to fulfill a myriad of potential story-telling objectives. Both lenses are equipped with precision back-focus adjustments to expedite lens-camera set-up, which is especially useful in multi-camera TV production environments. The mechanism is concealed beneath a cover plate. In addition, both lenses provide superb control over geometric distortion to prevent visible anomalies when shooting at extreme wide angles on large studio sets that contain extended straight edges.
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Well, do these Canon Miniature System Cameras indicate that our digital cameras also function as USB flash drivers now? Or should we say USB flash drive is at last part of a camera so that we can enjoy a more convenient use? All those sound fine, because what I’m thinking now is to get one and take some new photos… Oh God, they look just so cute!
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士林官邸~外拍活動的拔辣景點~~
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還是相機好 有正妹
玩錯東西了
這年頭和妹說你玩音響 好像沒啥用???
受到諸位大智者 的感招
我要換跑道!!!!!!
Leica i9 concept pairs $1,000 camera with $200 iPhone
By Zach Honig http://www.blogsmithmedia.com/www.en...writer_rss.gif posted Apr 25th 2011 8:44PM
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When you think of manufacturers that create products to go hand-in-hand with the Apple iPhone, Leica probably wouldn't come to mind. The seemingly brilliant minds at Black Design Associates hope to change that, however. The Leica i9 concept pairs an iPhone 4 with a fixed-lens rangefinder camera, and the result is nothing short of extraordinary. Slipping your iPhone 4 -- black or white -- into the back of the i9 brings the camera to life, activating the compact optical zoom, dedicated aperture and shutter dials, flash and light meter. Images are instantly viewable on the iPhone, where it's safe to assume they're stored as well. The camera back doubles as a case, but you're probably going to want to use it with a headset, unless you like talking to a camera. There's no sign that the i9 will even reach the prototype phase, but nobody is going to stop the high-end camera's designer from dreaming -- especially when said dreams make us weak at the knees.
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The future of cameras now sees its possible prints with Artefact Group’s Camera Futura. It is a wireless viewfinder with an interchangeable lens, so that the users can place the lens of the camera in a needed location before they take some pictures from a distance far away.
The new camera design is ergonomic too, with extra batteries, memory storage and a removable display unit which can work as a phone-like device. Sounds exciting! Now wonder the Camera Futura has already caught many viewers’ eyes before the concept comes into real products.
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http://www.youtube.com/watch?v=VgBl0ejQ8c0
小葉你要的來了:P
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腳架別忘了ㄜ~~~:P:P:P
改9:30到喔 :P:P:P
10點開始
現階段是想都不用想........@_@
照得漂亮.............讚............
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仆街少女不斷在市區街頭挑戰仆街的高難度動作,讓網友大聲喊讚。(圖翻攝自網路)
「仆街少女」超搞怪 樓梯、郵筒都能仆
〔本 報訊〕一張張少女面朝下,橫躺在街頭的照片,引來網友熱烈討論,大聲喊「讚」!近來在臉書上出現了一個名為「仆街少女」的粉絲團,兩名少女放上自己在台 北、台中知名景點中「仆街」的照片,不論是行人階梯,還是路旁的小立柱,她們皆能直挺挺地完成「仆街」的動作,讓網友直誇她們實在「太猛了!」
兩 名仆街少女「台北仆少女禁慾」與「台中仆少女Karren」,在臉書上放上自己的搞怪創意照片,她們以台北、台中各景點為背景,像是勤美誠品、台中孔子 廟、台北捷運、台大宿舍等都是她們取材的地點。幽默的仆街少女們還不斷挑戰高難度,不僅曾在傾斜的樓梯上「仆街」,也曾攀上路邊的郵筒「仆街」,儘管仆街 處多不平整,她們總能維持高水準,挺直身軀「仆街去」。
仆街少女粉絲團成立以後,引起網友熱烈討論,迄今已有將近1萬8000名網友按「讚」,甚至還有網友在她們執行「仆街任務」時認出他們,當場拍下少女的「仆街照」留念。
由於仆街少女的取材地為台北與台中兩地的知名景點,少女們放上仆街照時,還不忘加註文字,介紹各地背景與風貌,間接達成觀光效益,也因此讓不少網友希望能邀請「仆街少女」來自己的家鄉「仆街」,更盼能加入「仆街」的行列。
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專業的仆街少女是仆街也要接電話
"喂,阿母喔!我在宣揚中華傳統歷史文化啦..."
http://www.facebook.com/pkgirls
馬哥哥有韓文耶.......
我好大隻喔
台北奧萬大~4月初還有楓葉~
小葉站長~Linlin說他也唱得不錯耶~~:P:P:P
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真的嗎?幫我約一下聊