http://my-hiend.com/audiotemp/2013/S...NG/12.13.1.jpg
這是C135低音單體，使用75mm音圈並且在穿了孔。穿孔可以洩壓。現在正在做電感測試。
可列印查看
http://my-hiend.com/audiotemp/2013/S...NG/12.13.1.jpg
這是C135低音單體，使用75mm音圈並且在穿了孔。穿孔可以洩壓。現在正在做電感測試。
http://my-hiend.com/audiotemp/2013/S...NG/12.13.3.jpg
這個設置是在確保音圈在磁隙中的阻抗。測試是否符合預期的設定。
http://my-hiend.com/audiotemp/2013/S...NG/12.13.4.jpg
G4團隊，一對喇叭需要這麼多人的努力
http://my-hiend.com/audiotemp/2014/N...day/1.22.2.jpg
OVAL K1 speakers
http://my-hiend.com/audiotemp/2014/N...day/1.22.3.jpg
這是2013年底的台北音響展,後方是GIYA G3,前方是OVAL B1
http://my-hiend.com/audiotemp/2014/N...day/4.9.16.jpg
Vivid 老闆John Atkinson和GIYA G4,CES 2014
http://my-hiend.com/audiotemp/2014/N...day/4.9.21.jpg
Vivid Audio 家族參展照片，非常炫麗
Vivid Audio Giya G4 Loudspeakers
http://my-hiend.com/audiotemp/2014/N...yday/5.7.3.jpg
A listener’s room should always be a strong consideration when selecting a reference loudspeaker. Size, as I’ve been told in a variety of contexts, matters. I’ve always been inclined -- and I suspect I’m not alone in this -- to buy the biggest speakers with the biggest bass drivers I could lay my hands on. That’s not always advisable, however. Sticking a pair of such obelisks in a small listening room just won’t work. You probably won’t get enough stereo separation from massive cabinets, speaker height could be a problem, and the bass will assuredly overload even the most damped and treated space. Normally, as you move down a given line of speaker models, the cabinets get smaller and less complex, the driver arrangements simpler, the drivers perhaps less capable. The smallest is usually a three-way, maybe even a two-way. Each of these compromises leads to concessions in terms of dynamic range, ultimate output ability, and, likely, powers of resolution. For me, the smallest speaker was never an option. Then again, I don’t like getting the smallest of anything. Maybe it’s because I’m American....
來源: http://www.soundstageultra.com/index...4-loudspeakers
http://my-hiend.com/audiotemp/2014/N...yday/5.7.4.jpg
http://my-hiend.com/audiotemp/2014/N...yday/5.7.5.jpg
http://my-hiend.com/audiotemp/2014/N...yday/5.7.6.jpg
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http://www.my-hiend.com/audiotemp/20...day/8.27.1.jpg
對於想提高G4(圖中央)高度的用家，VIVID提供了一個硬質木製底座(100mm/4吋)可供用家選購。
圖中是完整的GIYA系列，左前是未使用硬木底座的G4高度。
http://www.my-hiend.com/audiotemp/20...day/8.27.2.jpg
英國 HI-END 雜誌 Hi Fi+ 在八月號評論了 VIVID AUDIO 的 GAYA G3s，由 Jason Kennedy 執筆。
http://www.my-hiend.com/audiotemp/20...day/8.27.8.jpg
這一對 VIVID AUDIO OVAL V1.5s 是特別改成書架式為了做混音監聽用途
http://www.my-hiend.com/audiotemp/20...ay/8.27.12.jpg
http://www.my-hiend.com/audiotemp/20...ay/8.27.11.jpg
http://www.my-hiend.com/audiotemp/20...ay/8.27.13.jpg
http://www.my-hiend.com/audiotemp/20...ay/8.27.14.jpg
http://www.my-hiend.com/audiotemp/20...ay/8.27.15.jpg
http://www.my-hiend.com/audiotemp/20...ay/8.27.16.jpg
http://www.my-hiend.com/audiotemp/20...ay/8.27.17.jpg
http://www.my-hiend.com/audiotemp/20...ay/8.27.18.jpg
http://www.my-hiend.com/audiotemp/20...ay/8.27.19.jpg
優的
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SoundStage! InSight -- Vivid Audio (October 2014)
https://www.youtube.com/watch?v=RT2ytbENY34
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http://my-hiend.com/wp/category/brand/vivid-audio/
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很棒的色調
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Vivid B-1d記念版全球限量二百對
http://my-hiend.com/wp/vivid-audio-%...e%9a%e7%89%88/
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