http://www.my-hiend.com/leoyeh/2011a/IMG_1478e.jpg
可列印查看
讚啦!!!!!!!李前輩是非常指導後輩的~~~受惠良多~~:P:*
原來換唱頭是連唱臂一起換
後面是哪一顆頭啊:O:O:O
Dark Side of the Moon!!引用:
作者: 小葉
不知李前辈什么时候换的GOLDMUND后级，小叶这是什么型号的，原来的VTL后级不用了吗。我去年也把后级换成了GOLDMUND 18.4ME，声音真的是独此一家，声音一定是有点染色，但自己又宁愿相信这就是真实的。好像所有矛盾的声音特色都汇集在GOLDMUND身上。我也是用的胆前级，不过是EAR912，个人感觉用上胆前级可以消弱GOLDMUND的音色有点偏冷的感觉
Telos 600？
看起來像是 29.4
1) The cartride is the Lyra "Clavis" re-tipped by "Soundsmith" with the cost of US$250. You could refer to their web-site: http://www.sound-smith.com/retip/. This clavis was a 10 years old model and has broken the contilever that's why I asked Soundsmith to re-tip* it (with ruby contilever and nude contact line diamond styli), and because the cover was removable due to no correct screw, so I make it "naked" which you can not tell the brand and the model from the picture. The result is quite good and you could remember that its tracking ability is really good, even much better than Clavis "Skala" from the A/B test of playing the last track of side 1 of "Horowitz in Moscow".
2) Someone has answered for me - it is Goldmund 29.4 and I still kept VTL 300 Mono for the major reason of my good memory with it for years, maybe I will play it again someday. I still prefer the performance of high frequencies of VTL.
3) I may post something or my explanation if there are questions I have to reply.
* I have to take this opportunity to thank Hsindou for arranging and delivering Clavis to Soundsmith for me.
Best regards,
Jett
引用:
作者: 小葉
薑還是老的辣:D:D:D
剛剛把"Horowitz in Moscow"這張唱片找出來放了一下
Side 1最後一軌，真的很考系統，尤其直切唱臂
黑膠教父名不虛傳:P:P:P
小叶，这对喇叭能介绍一下吗？你首页的链接打不开，谢谢！
我試是打的開
喇叭：Soundlab A1-PX靜電喇叭 + Nola 輔助低音x2
Photos from the Nat "King" Cole Mastering Session
Men in the room with the origianl master tapes of Nat "King" Cole in their hands!
http://store.acousticsounds.com/inde...t=page&PID=477
If someone in Hi-End really likes to know and also study the different sonic of the cutting/mastering, this name list of DECCA engineers (as below) is helpful. Different engineers could make a sonic variously. You may have your own favorite engineer(s) if you have the chance to verify the same recording(s) with the different cutting/mastering engineers. It's really an interesting practice and you may consider the so called "ED1" may not ALWAYS be the best sounding record(s).
list of Decca Engineers from 1957 to 1972.
The Cutting/Mastering Engineers
A= Guy Fletcher.
B= Ronald Mason.
C= Trevor Fletcher.
D=Jack Law.
E= Stanley Goodall.
F= Cyril Windebank.
G= Ted Burket
K= Tony Hawkins.
L= George Bettyes.
V =Quentin Williams.
W= Harry Fisher.
FYI, that two of cutting/mastering engineers are also the recording engineers: (1) E=Stanley (Stan) Goodall, for Oiseau-Lyre mostly, (2) Tony Hawkins, an free-lance recording engineer for most of the British classical record companies after 1970.
You have to SEE this!!
THE SOUND AND THE STORY - RCA
http://www.archive.org/details/SoundAndTheS
Quality Record Pressings...The Beginning
http://www.youtube.com/watch?v=uby5-...ature=youtu.be
:)
真專業~~~~~~~~~~~~~
李大哥的 12 吋 zorin 唱臂..
使用獨立唱臂座固定
http://img836.imageshack.us/img836/1223/img9641b.jpg
久不上来了,一进来就查查家访好帖.
昨晚承 mell兄引路.至 李前輩音樂空間朝聖.:O.引用:
作者: 小葉
上面大圖是目前配置.只少了白茶几之前的小圓凳(最近黃帝位).
前輩還給我們看了..空間設計"手稿"與空間測量頻響圖.看現場的屋頂-往上(後)的斜度比照片感覺要更大..
這裡聽音樂-談音響..一切就是~自然..輕鬆..和徐自在.:)
time fly..
自初結識 李前輩..忽而已屆3月之遙.
眾知.. 李大哥~近處於半閉關期.
因其主喇叭..處於"重要"維護期間.
是超過一般燒友想像的繁瑣工作.
但預期見..李 大哥一番整治之後~重發鐘鼎之聲..
給我輩新的啟發..哈.