小葉大,
能否開個專篇,請大家幫忙介紹非收藏不可的古典與爵士的LP名盤?
或告知哪兒可以得到此資訊?
因為看到一堆新的或二手LP,常無從下手.
可列印查看
小葉大,
能否開個專篇,請大家幫忙介紹非收藏不可的古典與爵士的LP名盤?
或告知哪兒可以得到此資訊?
因為看到一堆新的或二手LP,常無從下手.
這個課題可以討論,不過要有答案很難
LP跟CD一樣
每個人聽的真的都不一樣
唯一不同的是因為首版LP因為絕版,若剛好又是名盤,除了價格高外,也比較難找
歡迎大家一起來分享
我想大部份樂友的目的是欣賞音樂與音響,所以絕版與太高價的LP就放棄了.
請大家幫忙推薦自己覺得很好聽的LP.
如果有psycho老師那樣犀利的評論,那更佳!:D
watson0612 這樣推舉實在不敢當!....(blush) (blush)
其實我己經收集到一長串便宜又『極端hi-fi』的LP名單,只是難以保證何處可以買到,講出來不會害大家只是乾瞪眼?....:P
先說一個我個覺得非常準確的原則:
凡是 EMI FRANCE 廠牌,RECODING IN FRANCE( PARIS更好!),1960到1980之間,這樣的 LP 無論是什麼曲目,找到極端 HI-FI 的 LP 之機會非常大!就算是要比演奏水準,至少我覺得只會贏更多而己。
以上LP我還沒有買過比299貴的,其實常常買到一張只要150元的....:D :D
但是要注意以下幾點:
1、英國版(LP的製造版位)與我的音樂音響觀完全相反,就算是EMI FRANCE的英國版照樣與我完全相反;若是超高價位的英國版......還是與我不搭調。
2、在小宋唱片行一定可以輕易買到EMI FRANCE的日本版,至少比英國版強之太多太多。
3、最理想又便宜的就是 EMI FRANCE 的 ANGEL的美國版,請注意,如果是買到『不是EMI FRANCE 且 不是 RECODING IN FRANCE』的ANGEL版,那就與我音響觀完全不搭調。
若是網友們買到了卻覺得聲音不對,請貼出來讓我『隔空診斷』一下。不過我得先聲明,LP不比CD那麼精準,我自己即使是現在挑選,還是有20%的機會會買到錄音地雷片.....(blush) (blush)
唱頭是否有固定壽命? 查到的數據大約介於200~400小時左右。推算一下一顆唱頭可能在三年內就會開始走下坡了?
如果不論各種價位的唱頭都是如此,那是否太不經濟?請教一下各位前輩的經驗!
謝謝!
唱頭在正確的情况使用是可以超過十年的。在不正確的情况可以一秒內玩完!
小葉兄:我喜歡的唱头可多啊!
尖針的材質不一樣,也會影響壽命長短
不過關鍵還是在於正確的使用
若以400個小時,一天聽1個小時,那麼一年半就.....掛了?可能還撐不到三年
以我現時使用的唱頭為例。已經超過五年了。每天工作六小時吧。依然完好。
拿綿綿會不會吸水去污力更強~~~~~~:D|-)
謝謝小佐兄,
它是LP嗎?
我最近買了Royal Ballet,很棒的LP:
http://my-hiend.com/vbb/picture.php?...pictureid=8384
The Royal ballet的CD版: 2008年版
Royal Ballet Gala
http://www.my-hiend.com/vbb/picture....pictureid=8385
DECCA ELOQUENCE 442 9986 (First released on DECCA)
Kuzma 4Point
http://www.my-hiend.com/leoyeh/2010a...53739887_L.jpg
This differs from other arms by incorporating several unique features.
The zero play bearing is configurated on 4 points. There is very precise VTA adjustment and, despite a longer effective length of 280 mm (11 inches), fits our standard mounting distance of 212 mm (9 inches). The heart of the new construction is a unique 4 point bearing. The first set of two points (similar to a unipivot bearing) allows vertical movement. The second set of two points allows horizontal movement. All four points have minimal friction and zero play in all playing directions thus ensuring the cartridge platform and the cartridge itself move with very low friction and minimal vibration across the record .
The whole construction is mounted on a rigid VTA tower which allows VTA adjustment while playing, without any loss of rigidity, yet with up to 0.01 mm of precision with zero play. The main tube is constructed and machined from solid aluminium as in our tangential Air line arm.
Two separate troughs damp vertical and horizontal resonances and can be finely adjusted independently. The troughs can be removed from the tonearm. The main counterweight balances the tonearm and has a second small counterweight with which the tracking force can be finely adjusted. Azimuth can be adjusted in small repeatable increments with zero play, by means of an Allen key. A feature of the tonearm is a unique detachable headshell. The electrical connection is via standard pins but the headshell can be simply removed by unscrewing with an Allen key. The headshell is fixed with a hexagonal locking system, giving the same rigidity as with a fixed headshell.
Internal wiring is of superior, special alloy silver wires. One set of 4 wires runs from the cartridge pins to the termination box and further along into a 1.4 m long tonearm cable, with silver Eichmann bullet connectors, in one unbroken length. The second set of 4 wires runs from the same cartridge pins to the termination box to female Cardas RCA connectors thus allowing use of any RCA plugged tonearm cable from termination box to phono preamp input. This gives so called bi-wiring on this tonearm and a lot of flexibility with choice of no compromise cables.
Technical Data:
Mass: 1650 gr
Effective lenght: 280 mm
Mounting distance: 212 mm
Offset angle: 19.50 degrees
Distance from spindle to horizontal bearing: 264 mm
Effective mass: 14 g
Bearings: 4 spikes
VTA adjustment: yes
Azimuth adjustment: yes
Bias adjustment: yes
Vertical damping: yes
Horizontal damping: yes
Cables: bi-wiring
Arm mount: Kuzma-Air line 212 mm
http://www.kuzma.si/AmplioCMS2/publi...US#menuId=1131
因為有哼聲,將接地改接在ASR電源上,解決了
http://www.my-hiend.com/leoyeh/2010a/IMG_0268t.jpg
我覺得沒那麼短啦,那是LP時代的封面上寫的......
何時該換?這真的是好問題
前面有人說用很久也好好的
我想
1. 材質
2. 唱盤調整
3. 聆聽習慣與時數
都是很大的影響
但要如何診斷唱針呢?
我覺得調歪才是會損害的兇手......
何老大~~因為小小因素我把我的獨立唱臂線貼在這喔~~:o:P
http://farm3.static.flickr.com/2705/...76e7d646_o.jpg
http://farm3.static.flickr.com/2712/...2f217244_o.jpg
:P:P
唱到內圈時~~~:O:P
http://farm5.static.flickr.com/4058/...b41cf3d4_o.jpg
聲音待小弟過幾天多聽一下再來分享~~:P(blush)
唱臂線是V開頭的名字嗎?
郭兄過獎了。我也只是用過Kyocera的CD機而已!