最後還是忍痛買了 Magnus prime 喇叭線。(clapping)
引用:
作者: oscarwu
可列印查看
最後還是忍痛買了 Magnus prime 喇叭線。(clapping)
引用:
作者: oscarwu
沒圖沒真相, 星期六post圖.引用:
作者: Robert
之之前, 小弟花了五六年把一套M牌旗艦(單葫蘆)玩到滾瓜爛熟, 才了解track 11 and 18. 可以帶到朋友家聽, 通常聲音好, track 11 and 18也不錯.
器材也不一定要貴, 小弟聽過兩萬四的cdp, track 18的平順跟M牌兩件式旗艦沒差, 主要的原因是玩家耳朵好, 知道往那裡調(喇叭) . track 11的音質當然差多.
這個"平順"搞定了, 什麼系統都可以聽過世.
Robert兄,
先嘗試定位李的擺法,
然後...
前級要有雙outputs, 或Y-cable
不須toe-in, 零度.
只接left or right channel, 錄音變成mono. 理論上, 聲音應該從兩喇叭之間中央一點發聲, 而且這點必須越小越好.
如果這點一大塊不中央, 嘗試上下左右前後移, 把它變小及中央, 還原之後(revert back to stereo out), 音場定位必改善.
但是, 在移動喇叭的過程中, 必須保持聲音的寬鬆自然及有深度.
引用:
作者: powerman
Powerman兄，收到，不知道我的理解是否正確：請問我若用前級的balance功能，一次mute一支喇叭可以達到同樣的效果嗎？您說的測試法是不是好像後級每次拔掉一個聲道聽聽看嗎？
不對! 不對!引用:
作者: Robert
Robert兄的前級是 audio research r3, 那麼就同時用兩個上排(Mono, two right channels)或兩個下排(Mono, two left channels).
要還原時, 用上下兩排各一(Stereo).
用Track 11, 18 , 20 and 26 交叉測試.
嘗試把全頻段集中在兩喇叭之間中央一點;
聲音應該對准聆聽位置,特別是人聲. 如果斜一邊, 喇叭沒有對齊, 拉直它(移動喇叭);
還要能夠區分各樂器及人聲的深度.
引用:
作者: powerman
瞭解了Powerman兄！感謝您的解釋！
Gryphon Mephisto - inside
http://my-hiend.com/audiotemp/2013/V...ON/8.27.35.jpg
Mephisto without the cover.
Gryphon Pandora - inside
http://my-hiend.com/audiotemp/2013/V...ON/8.27.36.jpg
http://my-hiend.com/audiotemp/2013/V...ON/8.27.43.jpg
Product features
True Dual Mono configuration
Fully discrete pure Class A with ultra-short signal path
2 x 90,000 microFarad capacity banks
Ultra-wideband 3 MHz frequency response
Zero negative feedback
DC-coupling with servo-control
Isolated power supply for non-audio circuits
Extensive mechanical decoupling
Extensive local voltage regulation
Big-wheel, ball-bearing, microprocessor-controlled 85-step relay volume attenuator featuring Charcroft Z-Foil Audio ultra precision resistors and ultra low capacitance relays for best sonic performance
New, high-speed, discrete single-ended Class A input buffer developed for best possible sonic performance
Select premium-grade components, including Takman Audio resistors
Minimal internal wiring
Military spec. double-sided up to 70µm copper printed circuit boards
Two separate custom-made C-core transformers, one for each channel
Gold-plated input-isolating relays
PCB-mounted sockets eliminate wiring and shorten signal path
Gold-plated Swiss Neutric XLR sockets for three balanced sources and two outputs
Gold-plated phono sockets with Teflon insulation for two inputs and one Tape output
Optional integrated, Gryphon Phono Stage or Legato Heritage RIAA module
Fixed-level AV throughput for uncompromising integration with surround systems
Microprocessor-controlled menu functions
Adjustable channel balance, source level matching, start-up and maximum level
Green Bias control for Gryphon power amplifiers
Graphical Vacuum Fluorescent Display
Backlit touch-sensitive front panel controls
Adjustable display illumination (High, Medium, Low, Off)
Non-magnetic, non-resonant aluminium cabinets
12 V DC link input and output
Flash memory upgrades via PC or key-fob
Infrared remote control
Standby power consumption <1W
EU CE approval
Designed and built in Denmark
官方連結 http://www.gryphon-audio.dk/products...s/pandora.aspx
Gryphon Kalliope Digital to Analogue Converter
http://my-hiend.com/audiotemp/2013/V...ON/8.27.37.jpg
http://my-hiend.com/audiotemp/2013/V...ON/8.27.41.jpg
http://my-hiend.com/audiotemp/2013/V...ON/8.27.42.jpg
Product features
Dedicated ESS SABRE ES9018 32-bit D/A converter for each channel
Each ES9018 incorporates eight individual D/A converters in Dual Differential coupling for optimal performance
USB input compatible with following audio formats via PC/MAC. PCM: 44.1, 48, 88.2, 96, 176.4, 192, 352.8 and 384 kHz, up to 32 bits. DSD via USB (DoP): 2.822, 3.072, 5.644 and 6.144 MHz
BNC and XLR inputs compatible with PCM: 22.05, 24, 32, 44.1, 48, 64, 88.2, 96, 176.4 and 192 kHz, up to 24 bits
User-selectable PCM and DSD digital roll-off filters
User-selectable asynchronous PCM sample rate conversion
Temperature-compensated, ultra-low jitter crystal oscillators with better than 5 parts per million accuracy
Total galvanic isolation of PC/ MAC sources for optimal noise rejection
Balanced 110 Ohm XLR AES/EBU input
Three single-ended 75 Ohm BNC S/PDIF inputs.
Balanced 110 Ohm XLR AES/EBU output for de-jittered signal from selected input
Galvanic isolation of BNC and XLR inputs for minimal jitter
75 Ohm BNC connector for optional external word clock
Modular digital audio sections for possible future upgrades
True Class A, fully discrete analogue circuitry with zero negative feedback
First-order PCM analogue filters and second-order DSD analogue filters with silvered Mica capacitors
Analogue output stages with discrete, ultra-low noise +/- 25VDC regulated voltage supplies for best THD and noise suppression
Discrete, ultra-low noise power supply for analogue section of ES9018 DAC
Comprehensive noise regulation of all digital circuits
Custom-built 65 VA toroidal transformer for each analogue channel
34,000 microFarad power capacitor banks for each analogue channel
True Dual Mono configuration
Balanced XLR analogue outputs and single-ended phono outputs
Ultra-short signal path with minimal internal wiring
Four-layer 70 mm thick copper trace PCB’s
Personalised naming of each input
Vacuum Fluorescent Display with variable illumination
No drivers required for LINUX or MAC OSX
Driver available for Windows XP/Vista/7/8
Automatic standby mode with user-selectable interval
Standby power consumption less than 0.5W in accordance with EU regulations
12V link in/out
Infrared remote control
EU CE approval
Designed and built in Denmark
官方連結 http://www.gryphon-audio.dk/products.../kalliope.aspx
Gryphon Audio Designs • Legato Legacy Phono Stage
A solid-state phono stage that pushes "analog's performance and technological boundaries."
http://my-hiend.com/audiotemp/2013/8.30/8.30.12.jpg
As a reasonably well-read audiophile, I know Denmark for Hamlet, Niels Bohr and Gryphon Audio Designs, though not necessarily in that order. I've been acquainted with Gryphon Audio for more than a decade, the introduction coming at THE Show when it was held at the St. Tropez Hotel, next door to the Alexis Park and the CES. For many reasons, those were truly the good old days, not the least being that Gryphon assembled some very ambitious systems and hasn't exhibited in Las Vegas since. There is also no distribution of the company's products in North America, making it more difficult for those of us here to follow the brand -- and there has been a great deal worth following. While Gryphon Audio introduced new line-topping electronics a few years ago, this fact is somewhat misleading, because any Gryphon preamp or amp is a final destination point for audiophiles, both in terms of performance and price. The same is true for Gryphon's lineup of speakers, its sumptuous-looking CD players, and the subject of this review -- the fully balanced, dual-chassis, dual-mono Legato Legacy phono stage.................
詳情請見 http://www.theaudiobeat.com/equipmen...ato_legacy.htm
The World's Best Audio System
Sonic Sorcery: Gryphon Audio Designs Mephisto Stereo Amplifier
http://www.ultraaudio.com/images/sto...9_mephisto.png
http://www.ultraaudio.com/index.php/...ereo-amplifier
请教各位师兄，贵丰大菠萝的电源线升级哪款，我用的还是机线，欧洲标准的，想换美标。
地表上最強擴大機
%304f++引用:
作者: 小葉
oh oh oh 不會吧！！！！！
難道？？？？？？？
Gryphon: Sonata Allegro 文章在那裡? 4部前級比較
各位好友:
我曾在網中讀過一篇文章, 關於很多人認為sonata allegro是偏暗的原因, 而作者解釋說是因為它的低音特別豐滿而引起的錯覺.
請問那篇文章是在那裡呢?
以下四部前級的聲音特色是怎樣呢?
boulder 1012,
gryphon: sonata allegro,
gryphon: pandora,
passlabs: xp-30
多謝
印象中只有玩過別的前級
http://www.my-hiend.com/vbb/showthread.php?3600
多謝小葉兄!
還有沒有朋友可幫手找出那文章/回應呢?:}
Gryphon的新DAC 可解DSD 已經開始出貨了
http://www.soundstagenetwork.com/ind...ews&Itemid=121
弱弱的請問一下
想升級Diablo卻又怕A類的熱度
是不是可以再買一台Diablo mono 都bypass
然後前級再弄台Sonata Allegro?
有人這樣子試過嗎 效果如何?
這樣不會比較不熱呀
10字
這樣不會比較不熱呀
10字
真的嗎
那如果只加Sonata Allegro 聲音會有顯著的提升嗎
雖然會有提升，建議不要這樣
直接換前後級才比較有到定位的感覺
獨立前級聲音當然會比較好 但要考慮的是這樣的投資方向是否正確
簡單的說 如果把這筆錢花在其他地方上面 聲音進步幅度可能更大
建議網兄不訪貼出你目前的系統配置 相信其他更有經驗的大大會給你更好的建議
好的
Playback mps5
Diablo
Rockport mira grand ii
transparent ref SC, powerlink MM2X
大大覺得想要再更大的power還是有更大的動態？
前者跟後級有關 後者跟前級有關
diablo唯一選擇就是跳上前後級了
diablo沒mono版吧 而且你的喇叭是single wire
無法bi amp
Hi All,
My laptop doesn't have the Chinese/mandarin input.
My Gryphon Setup consist of:
1. Diablo
2. Scorpio
3. Mojo
葉大不要開小弟玩笑了啦
我剛入門 叫我小弟就好了...
看我問的問題就知道我有多外行了
引用:
作者: 小葉
各位前輩：
剛接手前用家的Diablo不到一週，有點疑問請教板上前輩用家，
我聽Diablo會有清脆的"釘"的聲音，很像金屬敲擊的聲音，
主要是機器本身發出的，也曾透過喇叭聽過幾次那個聲音
剛開機兩三個小時內會有，音樂中聲音往上催到35～40左右也會有，
那個清脆的聲音有點像切換音量的那"釘"的一聲，
不知道是不是機板或其他金屬遇熱膨脹的聲音？
是run in不夠的原因嗎？
問過一位Diablo的用家朋友，他剛開始run in的一年內也有同樣狀況，
不影響使用，但是音樂中的那個清脆聲音還真的有點惱人＠＠
*63
主機會叮！是正常的，我用過的callisto 2100和Diablo都會這樣引用:
作者: Michael Lin
久了就習慣了，甚至覺得那是熱身百分比的參考，每次叮完就好像更好聽一點XD
但叮聲從喇叭出來我是沒有這印象
感謝前輩回覆。(clapping)引用:
作者: BHMzero
另請問Diablo機殼兩排螺絲是每顆都可以逼緊的嗎？
我的只有前後兩顆可以逼緊，其餘12顆只能空鎖，兩排都是。
正常，我的也會，廠家說是散熱片的關係。
引用:
作者: Michael Lin
我之前用的也會叮. 其它廠牌偶而也會叮, 但似乎這台頻率特高.
金屬應力的問題
之前mbl的9系列後級也會，後來mbl改進上蓋版,由一塊變成多塊組合才解決這問題
我的安鐵龍也會ㄉㄧㄤ ㄉㄧㄤ叫 (giggle)
引用:
作者: Michael Lin
請問台灣要買Gryphone要找哪家代理/到哪裡試聽？
亞伯利............
THX！
我還想請教一下Diablo跟Atilla具體的差距. 主要想驅動KEF跟ELAC的書架小喇叭.